Articles

  • 1 week ago | bfi.org.uk | Nicole Flattery |Ben Nicholson |Samuel Thomas Davies |Simran Hans

    Close to the end of Blue Road: The Edna O’Brien Story, a documentary by Sinéad O’Shea, the writer and critic Andrew O’Hagan forms an assessment of O’Brien’s work. Her strength, he tells us, came from her ability “to embrace ambiguity, to see all around her”. He is referring specifically to her 1994 novel about the Troubles House of Splendid Isolation, but he could be talking about any of her books, including her scandalous debut The Country Girls.

  • May 13, 2024 | bibliosurf.com | Nicole Flattery

    Mae, dix-sept ans, vit avec sa mère et le compagnon de celle-ci. En attendant que la vie commence, elle déambule dans New York, obsédée par les escalators et les rencontres de hasard. Nous sommes dans les années soixante, une nouvelle génération découvre le rock, la pop et la liberté. Mae trouve un petit boulot de dactylo dans un immense loft de la 47e Rue, qui n’est autre que la Factory, le studio d’Andy Warhol.

  • Apr 17, 2024 | lrb.co.uk | Patrick deWitt |Nicole Flattery

    Patrick deWitt​ is the sort of writer you imagine checking his emails on an old desktop computer in the library. His five deceptively simple novels suggest pleasant, old-fashioned things. They hinge on traditional plot devices – misunderstandings, a letter delivered or undelivered, a chance meeting. There is no modern technology here. In deWitt’s first novel, Ablutions (2009), the narrator repeatedly takes a telephone off the wall and throws it in the bin.

  • Mar 16, 2024 | msn.com | Nicole Flattery

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  • Mar 16, 2024 | msn.com | Nicole Flattery

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

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