
Patrick Russell
Articles
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3 weeks ago |
bfi.org.uk | Barry Levitt |Patrick Russell |David Parkinson |Josh Slater-Williams
There’s nothing like an escape to nature. There’s an innate sense of peace and relaxation when you conjure up images of the great outdoors, despite the dangers you can face in the wild. Forests, jungles and national parks have set the scene for cinema to explore humanity’s relationship with nature, allowing for quiet contemplation and shocking revelation in equal measure.
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Jul 18, 2024 |
woodfloorbusiness.com | Patrick Russell
“How are you doing?” is the common question. “I’m living the dream,” I say. I always wanted a hardwood floor company. So I’m living the dream—technically, right? I sanded my first floor with Jody Breeze in 2003 with a split drum Clarke 504. I had no clue what I was doing. George, the owner of Advanced Hardwood Flooring in Ocala, Fla., walked behind me, his hand on mine and telling me to make sure I didn’t leave the feathering handle down while stopping. One pass down and back ...
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Apr 4, 2024 |
bfi.org.uk | Becca Voelcker |Jonathan Romney |Patrick Russell |Adam Scovell
Since his graduation feature in 2008, Passion, Hamaguchi Ryūsuke (born in Kanagawa, Japan, in 1978) has perfected a cinematic language that combines confident pacing, subtle yet fraught emotional expression and playful narrative twists. He has been a regular at Cannes, Locarno, New York and Berlin film festivals since his breakthrough epic Happy Hour in 2015. He is popular at home too, shooting films in Tokyo, Kobe, Hiroshima and elsewhere with a combination of first-time and seasoned actors.
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Apr 3, 2024 |
bfi.org.uk | Rebecca Vick |Patrick Russell |Jonathan Romney |Adam Scovell
From a Norwich City FC mental health video to an animated heartbreaker for Alzheimer’s Research UK, the winners at this year’s Charity Film Awards reveal some of the ways charities are innovating with film to deliver their vital messages.
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Jan 18, 2024 |
bfi.org.uk | Joseph McBride |Nicole Flattery |Adam Scovell |Patrick Russell
Like many cinephiles, I'd been wondering how Richard Lester has been doing. Since The Bed Sitting Room in 1969, his work has been confined to television commercials. One cherished film project, a spectacular adaptation of George Macdonald Fraser’s novel Flashman, was cancelled by United Artists a month away from shooting in 1970, after Lester had spent more than a year in preparation.
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