Paul McLauchlan
Menswear Columnist and Contributing Editor at Irish Examiner
Writer at Freelance
Paul McLauchlan. Menswear columnist and contributing fashion editor @irishexaminer. Freelance @highsnobiety @vogue_italia @fashionista_com @nytimes
Articles
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1 month ago |
fhcm.paris | Paul McLauchlan
If this was Larsson’s score, it was decidedly underground. There was something seedy about the way the models swaggered down the catwalk in laced-up leather trousers and bumster jeans. Something about the distressed, shrunken Fair Isles, and embellished chiffon slip skirts under abbreviated double-breasted trench coats that evoked angst between self-exploration and self-actualization. Something about the awkwardness of the attenuated silhouettes that felt familiar.
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1 month ago |
image.ie | Paul McLauchlan
Still riding high from debuting her latest collection—Nothing Pure Can Stay—at Paris Fashion Week earlier this morning, Irish designer Róisín Pierce sits down with Paul McLauchlan to touch on new season inspiration, exciting collaborations and the brand’s expansion into everyday and evening wear.
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1 month ago |
fhcm.paris | Paul McLauchlan
In a few short seasons, Kegel has become an arbiter of taste in her own right. The show opens with a model in lingerie who starts dressing herself in a white shirt, long trousers, and a V-neck sweater: office appropriateness, the Julie Kegels way. She expanded on the upmarket lifestyle by listing off some familiar tropes like tailoring and hunting jackets.
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1 month ago |
fhcm.paris | Paul McLauchlan
He telegraphed these ideas about Parisian style with wit and charm. There are some recognisable emblems of bourgeois style in slim blousons over skinny trousers and trench coats rendered as true to Abra: visibly a trench coat in front, the back entirely exposed. Perez hybridised other familiar garments like layered faux fur jackets (made from recycled nylon) that are fused together. He replicated the effect in a faux fur coat draped over the shoulders of a leather jacket.
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2 months ago |
irishexaminer.com | Paul McLauchlan
Irish designer Simone Rocha unleashed a rebellious streak during the autumn/winter 2025 shows at London Fashion Week at the gilded Goldsmiths' Hall. “It was a play on teenage stereotypes and nostalgia,” Ms Rocha said backstage after the show. The collection inspiration harked back to the halcyon days of freedom, when constructing identity through fashion often revolves around disobeying convention and going against the grain.
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Still one of my proudest contributing bylines - @LizziePaton is one of the best reporters and a fantastic mentor. So excited to listen to this!
A fascinating ep of @united_podcast BYLINE with @nytimes @LizziePaton who covers fashion, the business of fashion & the luxury market. Paton was the journalist who covered 'Fashion Is Repealing' for the NYT, with @sanguinestyle on the ground just before the referendum. https://t.co/mGcof3HeQ4
RT @AndreaHoran: GODDESS vibes 🧝♀️🧝♀️🧝♀️by @nataliebcoleman via @sanguinestyle In today's Examiner ♀️🥰 https://t.co/bEf6IGa6dz
So proud to have worked on this one
GODDESS!!!!! A beautifully written piece by @sanguinestyle all about the Sister, Mother, Goddess collection in https://t.co/vO67hx9gjw
