Peter Debruge

ANORA winning best picture (following Cannes breakouts faring well in that category these past few years) puts the festival in a curious new position ... giving art cinema a platform, while finally being seen as a potential Oscar launchpad. https://t.co/6StCnJykBL

RT @EgyptianLA: Announcing our newest @LAFilmCritics event on March 26: a double feature of THE IRON GIANT and THE INCREDIBLES! 🍿 Writer/di…

A trailer for a trailer...

Warner Bros. @warnerbros

Trailer. Tomorrow. #F1 #F1Movie https://t.co/cOmTubI6Lf

RT @gintszilbalodis: Ok, this is the last one https://t.co/FSVIfwlFcC

RT @gintszilbalodis: Just when I thought I was out, they pull me back in! https://t.co/FIZKgwELKt

Wondering why Alain Delon wasn't included in the Oscars' in memoriam segment? I've learned the committee felt his "bad boy behavior" disqualified him. Yes, Delon consorted with gangsters and supported the alt-right, but this "Academy as arbiter of virtue" business has to stop.

My favorite film of last year's SXSW festival, MY DEAD FRIEND ZOE, opens today at last. Sharing my review below. Also hosting a Q&A with director Kyle Hausmann-Stokes after tonight's 7pm show. Come join us at the AMC Century City. https://t.co/UecEYbcbnt

My favorite film of the Berlin Film Festival, Dag Johan Haugerud’s DREAMS (SEX LOVE), won the Golden Bear! I had a hunch jury president Todd Haynes would flip for it, as it celebrates the queer/literary awakening of a Norwegian teen. Read all winners here: https://t.co/hMPisIzol4

Feels appropriate to post my review of Bong Joon Ho's MICKEY 17 here on X. The film, which stars a strangely anti-charismatic Robert Pattinson, could be read as a critique of Elon Musk's intergalactic ambitions (with Mark Ruffalo playing a Trump clone). https://t.co/pq7g4m4fnY

With SORRY, BABY, Eva Victor wrote, directed and stars in what’s sure to be one of the year’s most talked about debuts. #Sundance2025 https://t.co/OiB0IoYrc6

RT @Variety: "The Perfect Neighbor" director and producer Geeta Gandbhir opens about the genesis of the film project. | Variety Studio pres…

What sounds like a downer logline — two dudes bond after meeting in a twin bereavement group — veers off in all kinds of unexpected (and exquisitely uncomfortable) directions in James Sweeney's tonal tightrope act, TWINLESS. #Sundance2025 https://t.co/IEQDjicIVd

It's the first day of Sundance, and the review that kicks them off is for JIMPA, a film that feels as "Sundance" as they come (a love letter to nontraditional families, inspired by director Sophie Hyde's gay dad and nonbinary child): https://t.co/eOEMAPe1iH

Farewell to a singular vision in cinema. It's been so inspiring to see all the tributes and testimonials over the past few days. Especially love this montage of Lynchian moments.

Retropolis @retropolisart

Directed by David Lynch. https://t.co/2S9UZA17M2

That @Variety review was written by the great @bmanuel.

Film Forum @FilmForumNYC

OCEANS ARE THE REAL CONTINENTS, Tommaso Santambrogio’s mesmerizing debut opens today! 🌊 “A LUSH AND LYRICAL vision of contemporary Cuba…An intergenerational study on exile and belonging.” – @AskDebruge, @Variety 🎟️ https://t.co/Eu7RyHEtgA https://t.co/BurH0T5zd8

RT @OwenGleiberman: From 'Daddio' to 'The People's Joker' to 'The Order' to 'Hundreds of Beavers,' here's @Variety's list of the Most Overl…

Check out CARRY-ON for "a handful of spectacular set-pieces — none more astounding than the single-shot freeway sequence in which Danielle Deadwyler wrestles over a gun as the car smashes against obstacles on either side, all while traveling at 70 mph." https://t.co/SZJfdTWImR

𝔇𝔦𝔩𝔡𝔬 𝔅𝔞𝔤𝔤𝔦𝔫𝔰 @EmmaTolkin

Hey so this is fucking insane https://t.co/PRFqJYABvJ