Pippa Goldschmidt

Nov 20, 2024 | the-tls.co.uk | Pippa Goldschmidt |Keith Miller |Brian Ng |Colm McKenna

Letters exchanged between scientists have always been an essential tool in the communication of research, acting as short formal statements of recent results, as avowedly impartial in tone as long papers – this much is clear in the titles of academic journals such as Physical Review Letters. But the letters in this anthology are the flipside to those impersonal ones, tending towards the private, the informal and the emotional.

Oct 7, 2024 | thereader.mitpress.mit.edu | Didier Eribon |Pippa Goldschmidt |Francisco Cantú |Moshe Safdie

BeeLine Reader uses subtle color gradients to help you read more efficiently. When I reread James Baldwin’s beautiful text on the death of his father, one remark in particular struck me. Baldwin recounts that he put off a visit to the man he knew was very ill as long as he possibly could. Then he notes: “I had told my mother I did not want to see him because I hated him. But this was not true. It was only that I had hated him and I wanted to hold on to this hatred.

Jul 17, 2024 | the-tls.co.uk | Pippa Goldschmidt

May 10, 2023 | artreview.com | Pippa Goldschmidt

A new show at Berlin’s Schinkel Pavillon invites us to consider the ever-shifting definition of what it means to be ‘post-human’At the entrance to Human Is in Berlin’s Schinkel Pavillon, I’m preparing to be confronted with art that considers how our species is becoming ‘post-human’ because of technological disruptions, when I’m subject to a decidedly unmodern exchange and required to pay the entrance fee in cash.