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Sep 25, 2024 | 
euppublishing.com | Monique Rooney |Proposal Guidelines |Benjamin Dalton |Ben Tyrer
Adventures and solitude of a young vagabond (neither withdrawn nor talkative), told by those who had crossed her path, that winter in the South of France. But can one render silence, or capture freedom? (Agnès Varda, “Publicité”, quoted in Flitterman-Lewis, 1996, pp.
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Apr 22, 2024 | 
euppublishing.com | Steven Smith |Proposal Guidelines |Ben Tyrer
Among the evidence of the continuing fascination of film noir, there is now a Noir Filter. Anyone who wants that hard-edged, high-contrast black-and-white look can impose it on images in Photoshop or Instagram, or adopt it while playing a video game (Fig. 1). The “filter” is a digital manipulation rather than glass or gauze placed over a lens, but it similarly enforces a selection of light values.
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Apr 22, 2024 | 
euppublishing.com | Proposal Guidelines |Catherine Wheatley |Mark Cauchi
In his singular meta-analysis of contemporary art practice and discourse, On the Strange Place of Religion in Contemporary Art, the esteemed art historian and theorist James Elkins (2004) observes that, aside from the rare exceptions, religion is seldom mentioned in the [contemporary] art world unless it is linked to criticism, ironic distance, or scandal […] An observer of the art world might well come to the conclusion that religious practice and religious ideas are not relevant to art...
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Apr 18, 2024 | 
euppublishing.com | Proposal Guidelines |Stanley Stewart |Jean-Pierre Villquin
Not all critics are interested in the Christian dimension found in Shakespeare. It is one thing to be disinterested, but it is another to dismiss that Christian dimension – to deftly sidestep it or to condense and displace it. Oser provides a formidable rejoinder to the secularizing impulse that currently enjoys such firm footing in Shakespeare scholarship. He makes a compelling case that Shakespeare wrote “from a Christian perspective” and with a rich theological imagination (9).
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Mar 12, 2024 | 
euppublishing.com | Proposal Guidelines
Fully Open AccessFilm-Philosophy is an open access peer-reviewed academic journal dedicated to the engagement between film studies and philosophy. The journal is interested in the ways in which films develop and contribute to philosophical discussion. We particularly welcome articles that set up an active engagement between film studies and philosophy, thereby sustaining a thoughtful re-evaluation of key aspects of each discipline.
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Feb 1, 2024 | 
euppublishing.com | Proposal Guidelines
Journal of Social and Political Philosophy (JSPP) provides a forum in which to address the new challenges facing social and political thought in the twenty-first century. JSPP publishes material of the highest quality regardless of philosophical, ideological or methodological orientation within social and political philosophy. Our aim is to provide a venue for original contributions to social and political philosophy from a range of disciplines, traditions and civilizational perspectives.
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Jan 8, 2024 | 
euppublishing.com | Proposal Guidelines
Editor Emily Alder, Edinburgh Napier University, UK Associate Editor Tim Jones, University of Stirling, UK Jen Baker, University of Warwick, UK Assistant Editor Lobke Minter, City of Cape Town, Western Cape, South Africa Reviews Editors UK/Europe Dr Sorcha Ní Fhlainn, Department of English, Manchester Metropolitan University, Manchester, M1 5NH email: [email protected] North America/Rest of World Maisha Wester, Department of American Studies, 602 Ballantine Hall, Indiana University,...
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Jan 5, 2024 | 
euppublishing.com | Proposal Guidelines
The Irish University Review was founded in 1970 at University College Dublin as a journal of Irish literary criticism. Since then, it has become the leading global journal of Irish literary studies. It is affiliated to the International Association for the Study of Irish Literatures (IASIL), whose members receive the journal as a benefit of association membership.
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Oct 11, 2023 | 
euppublishing.com | Dominic Lash |Proposal Guidelines |David Martin-Jones |David Sorfa
“Film”, “philosophy”, and “poetry” are surely among the most contested words in the language. Each category has been interpreted so as to exclude or marginalise things that, in other interpretations, would be central instances. If digital cinema is a fundamentally new form, for example, then Yorgos Lanthimos’s The Favourite (2018) is something other than a film.
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Oct 11, 2023 | 
euppublishing.com | James Dutton |Proposal Guidelines |Robert Sinnerbrink |William Brown
Where are we when we are in cinema? In viewing moving images, where is our identity? Numerous philosophers have described the effects that being mediated by moving images have on the subject, but few have considered the spatial identity of this mediation. Cinema is an intimate medium, and its ability to shape our understanding of the world is not limited to intentional recall. Once we have seen or synced-up to cinematic images, something innate stitches itself through these artificial sensations.
