
Sally Knipe
Articles
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Dec 7, 2024 |
londontheatre1.com | Sally Knipe
The Housetrap is the final show in Guildford Shakespeare Company’s (GSC) amazing 18th Anniversary Year. This production is taking place in the beautiful Grade I listed West Horsley Place. I come here frequently but have never seen the house look as lovely as it looked tonight. Stage Manager Hannah Walker has done a fantastic job decorating and lighting this amazing house. Eleanor Murton has written The Housetrap as she has all GSC’s whodunnits since they started during lockdown.
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Jun 25, 2024 |
londontheatre1.com | Sally Knipe
Guildford Shakespeare Company’s (GSC) Sarah Goran and Matt Pinches said they wanted to create something special for their 18th Anniversary Summer Production and you can tell that they have before you even reach the first venue. Guildford High Street is closed to traffic for this production, and it is a treat to see this beautiful, cobbled street free from parked cars. There are also many political posters, but these are asking us to vote Montague or Capulet not Rishi or Keir.
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Feb 8, 2024 |
londontheatre1.com | Sally Knipe
Jane Austen’s masterpiece Pride and Prejudice has been adapted for this production by director Abigail Pickard Price. Adapting a book that is a ‘National Treasure’, that most people have read (or perhaps just seen on film or the telly) possibly thought of as being rather brave, particularly as this production uses just three actors to portray 13 characters! So, does it work?
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Nov 22, 2023 |
londontheatre1.com | Sally Knipe
This was my first visit to Waterloo East Theatre: tucked away under the railway arches, it could hardly be closer to Waterloo Station. It is a 100-seat with a good rake to the seats, so the view is excellent. Lady J is a new translation of August Strindberg’s 1888 classic Miss Julie. The translator, Dr. Lewis Webb, has worked with the director, Christina James, to bring the play up to date, moving it from a Swedish count’s estate on Midsummer’s Eve to Burns’ Night at an elite Scottish University.
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Nov 5, 2023 |
londontheatre1.com | Sally Knipe
The Cervantes Theatre really is a wonderful place, and incredibly friendly. The cast mingle with the audience in the bar and almost everyone speaks in Spanish. I don’t speak Spanish so, this play could have been difficult to follow, but it is performed in two halves, one in Spanish and one in English, with two separate casts. When I took my seat, I was surprised to see a screen with English surtitles written on it.
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