Articles

  • 1 month ago | tobemagazine.com.au | Annabel Blue |Sarah Buckley |Deana Stepanian |Tara Robinson

    0 $0.00 0 items Milan was a fashion week of celebrations. On the anniversary front, Fendi commemorated its centenary and Dsquared2 honoured three decades of sex and glam.

  • Jan 14, 2025 | tobemagazine.com.au | Sarah Buckley |Ryan Delaney

    A glitch is a sudden malfunctionin an electronic system. As a recurring phenomenon in our virtual landscapes, we are all familiar with glitches in their various forms and collectively understand that, if the malfunction doesn't resolve on its own, the reliable turn-off-and-on-again method will almost always restore the system to its original state.

  • Jan 14, 2025 | tobemagazine.com.au | Annabel Blue |a French Monastery |Sarah Buckley

    At a recent launch for foodie rag Tart Magazine, Mark Bo Chu met Dom Gattermayr, co-owner and executive chef of the famed in-crowd hangout spot Florian, and younger-sibling café, Juniper. They agreed that Melbourne need no longer live in the shadows of other major cultural cities and that its hospitality scene is central to its buzz. Mark wanted to continue the conversation. Dom suggested they meet at Babka, Fitzroy, a childhood favourite.

  • Jan 12, 2025 | tobemagazine.com.au | Grace Sandles |Annabel Blue |Sarah Buckley |Sophie Prince

    However much you try to avert your eyes, Julie Rrap forces you to look back. Past Continuous, Rrap’s exhibition at the Museum of Contemporary Art Australia, challenges the matrix of female representation in art by turning the viewer’s gaze back on itself. Over several decades, Rrap has employed a multidisciplinary approach to redirect conversations on ageing, desire, and beauty—many of which collide in this retrospective. Born in Lismore in 1950, Rrap's life was non-traditional from the outset.

  • Dec 8, 2024 | tobemagazine.com.au | Grace Sandles |Sarah Buckley |Sharmonie Cockayne |Mark Chu

    “Jack of all trades, master of none,” warns the adage. Yet for Melbourne-based artist Scotty So, the caution hardly applies, for versatility is the very foundation of his mastery. From performance to sculpture, video to photography, So’s practice encompasses a variety of mediums, each serving as a lens to examine themes of authenticity, legacy, and the passage of time. In an art world that often prizes specialisation, So prefers the infinite, at times unexpected, possibilities of range.

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