
Articles
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1 month ago |
tobemagazine.com.au | Annabel Blue |Sarah Buckley |Deana Stepanian |Tara Robinson
0 $0.00 0 items Milan was a fashion week of celebrations. On the anniversary front, Fendi commemorated its centenary and Dsquared2 honoured three decades of sex and glam.
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2 months ago |
tobemagazine.com.au | Eugene Rabkin |Annabel Blue
In 1994, Isabel Marant launched her brand, creating designs that epitomised the effortlessly chic wardrobe of French women. Over two decades later, in 2017, she expanded into menswear, introducing collections for the cultured French man. However, no collection since has made a significant impact on viewers or buyers. This season continues that trend, featuring cozy knits and minimalistic pants as the core pieces.
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Jan 20, 2025 |
tobemagazine.com.au | Annabel Blue |Chloe Borich |Tara Robinson |Sophie Prince
Thoughts spring out of Campbell Addy and Ibby Njoya like slinkies, new from the plastic box. One mentions a drawing class, the other references a university; one says “what” and the other asks “why?”; one poses a theoretical problem and the other offers a pragmatic solution. Their dialogue is meandering and chaotic, making it all the more difficult for a third-wheeler to follow along. There are some clear throughlines nonetheless. The first is that collaboration is an essential part of creating art.
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Jan 14, 2025 |
tobemagazine.com.au | Annabel Blue |a French Monastery |Sarah Buckley
At a recent launch for foodie rag Tart Magazine, Mark Bo Chu met Dom Gattermayr, co-owner and executive chef of the famed in-crowd hangout spot Florian, and younger-sibling café, Juniper. They agreed that Melbourne need no longer live in the shadows of other major cultural cities and that its hospitality scene is central to its buzz. Mark wanted to continue the conversation. Dom suggested they meet at Babka, Fitzroy, a childhood favourite.
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Jan 12, 2025 |
tobemagazine.com.au | Grace Sandles |Annabel Blue |Sarah Buckley |Sophie Prince
However much you try to avert your eyes, Julie Rrap forces you to look back. Past Continuous, Rrap’s exhibition at the Museum of Contemporary Art Australia, challenges the matrix of female representation in art by turning the viewer’s gaze back on itself. Over several decades, Rrap has employed a multidisciplinary approach to redirect conversations on ageing, desire, and beauty—many of which collide in this retrospective. Born in Lismore in 1950, Rrap's life was non-traditional from the outset.
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