Articles
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Dec 11, 2024 |
lawliberty.org | Mary Beard |Sarah Skwire |Rachel Lu |Mark Pulliam
Mary Beard’s excellent new book, Emperor of Rome, begins with a timeline of Roman emperors from Julius Caesar to Alexander Severus that gives each emperor’s years of reign, a quick fact or two, and often, his manner of death. But these three pages are the last time that Beard presents her readers with anything like a forced march through Roman history. Indeed, her book is specifically designed not to do that, and Beard sounds somewhat exhausted by the idea that she might.
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Jan 23, 2024 |
theimaginativeconservative.org | Sarah Skwire
Rules are good things to have. We need to learn not to wipe our noses on our sleeves, not to take stuff that isn’t ours, not to scream at people when we’re debating them on television, not to shout abuse at politicians even if they deserve it. But as useful as rules like that can be, they’re limited in significant ways.
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Oct 14, 2023 |
econlib.org | David Henderson |Sarah Skwire
One of Frederic Bastiat’s most basic, and most important, insights is the distinction between the seen and the unseen. In what is arguably his most famous essay, “What is Seen and What is Not Seen,” he wrote:In the sphere of economics an action, a habit, an institution or a law engenders not just one effect but a series of effects. Of these effects only the first is immediate; it is revealed simultaneously with its cause, it is seen.
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Oct 13, 2023 |
econlib.org | Sarah Skwire |David Henderson |Scott Sumner
I don’t remember when I first encountered Claudia Goldin’s work, but I do know that the first piece of hers that I read was her Ely lecture, titled, “The Quiet Revolution that Transformed Women’s Employment, Education, and Family.”It blew me away. And it blew me away not just because it was one of the first pieces of economic history I’d read, in contrast to the piles of economic theory I’d be working through, and not just because it was written with both beauty and clarity.
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Oct 9, 2023 |
oll.libertyfund.org | Sarah Skwire
The book is carefully but not ornately bound in maroon cloth, with gilding on the spine. The Marie Eleonore Godefroid portrait of de Stael that is used for the frontispiece is the same that is used on the cover of Liberty Fund's edition of her Considerations on the French Revolution. It's a simple book, in its presentation.
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