Saraswathy Nagarajan
Senior Assistant Editor at The Hindu
Journalist with The Hindu, news addict, bookoholic, feminichi, green and vocal
Articles
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1 month ago |
thehindu.com | Saraswathy Nagarajan
A pall of gloom hangs over ‘Piravi’, Shaji N Karun’s residence in Thiruvananthapuram. This was where the auteur and ace cinematographer met admirers from all walks of life. This is where he had conceptualised all his works, including documentaries and short films. This is where I met Shaji more than three decades ago as a student of journalism as part of my course. He had shared that it was his wife Anusuya Warrier’s idea to name their house ‘Piravi’.
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Mar 28, 2025 |
thehindu.com | Saraswathy Nagarajan
“Heard an interesting comment yesterday on my stewardship as Chief Secretary — that it is as black as my husband’s was white. Hmmm. I need to own my blackness.”This was posted by Sarada Muraleedharan, Chief Secretary of Kerala on her Facebook page on March 26. Sarada, who became the Chief Secretary in 2025 after her husband, Dr V Venu retired, took to social media to talk about colourism.
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Dec 4, 2024 |
thehindu.com | Saraswathy Nagarajan
There was Vaikom Mohammed Basheer, smoking a beedi and sitting in his armchair beneath the shade of the mangosteen tree. Beside him was his favourite gramophone. The iconic image of Malayalam literature’s beloved writer, often called the Beypore Sultan, was recreated in the US during a play Mathilukalkkappuram, which was premiered in New Jersey.
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Oct 29, 2024 |
thehindu.com | Saraswathy Nagarajan
Amal Neerad’s superbly crafted Bougainvillea, a neo-noir psychological thriller, is a play on the mind and its vagaries as much as it is a story about a police investigation and a look at gendered relationships. Jyothirmayi as Rithu and Kunchacko Boban as Roy ace their roles with ease while Fahadh Faasil, always in form, plays second fiddle to their superb portrayals.
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Oct 29, 2024 |
thehindu.com | Saraswathy Nagarajan
Amal Neerad’s superbly-crafted Bougainvillea, a neo-noir psychological thriller, is a play on the mind and its vagaries as much as it is a story about a police investigation and a look at gendered relationships. Jyothirmayi as Rithu and Kunchacko Boban as Roy ace their roles with ease while Fahadh Faasil, always in form, plays second fiddle to their superb portrayals.
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Patriarchal Indian media needs to reexamine their priorities. The New York Times reports on Meena Kotwal and her online news outlet that focusses on Dalits.