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1 week ago | 
milieu-mag.com | Saray Fragoso
WHAT IS THE PATCHWORK COLLECTIVE? The Patchwork Collective is a large-scale, community-led art installation created to mark Liberty’s 150th anniversary. It brings together over 1,500 individually handcrafted patchwork squares, contributed by Liberty’s creative community from across the UK and beyond.
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3 weeks ago | 
milieu-mag.com | Saray Fragoso
Celebrating 25 Years of Bungalow ClassicThe stars were out in full force at Atlanta’s beloved design destination, Bungalow Classic. Celebrating 25 years of timeless design, founders, Randy and Courtney Tilinski —aka Mr. and Mrs. Bungalow— hosted a dazzling gathering of designers, friends and devotees. Book signings included industry luminaries Beth Webb, Caroline Gidiere, Jonathan Savage, Mark D. Skies and Suzanne Kasler, plus a showcase of masterful ceramics by artist Michelle Toole.
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2 months ago | 
milieu-mag.com | Saray Fragoso
VERELLEN SHOWROOM OPEN NOW IN DALLAS150 Glass St, Suite 100Dallas, TX 75207Verellen invites you to their Dallas Showroom grand opening party on Tuesday, April 1, 2025 at 5PM. On March 4th of this year, Verellen Atelier DFW opened in the heart of the Dallas Design District, and will be celebrating with an event on Tuesday, April 1, 2025.
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Mar 3, 2025 | 
milieu-mag.com | Ann Levin |Saray Fragoso
Over her long career as an artist and illustrator, Sally Michel (1902–2003) befriended the Abstract Expressionists, earned prestigious residencies at the Yaddo and MacDowell art colonies, and helped forge a new style in mid-century painting between realism and abstraction. Yet to many, she is an unfamiliar name because her accomplishments have been overshadowed by those of the more famous Milton Avery, her husband.
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Mar 3, 2025 | 
milieu-mag.com | Saray Fragoso
With much anticipation, attendees were welcomed to the 35th anniversary of the Antiques & Garden Show of Nashville. MILIEU was proud to be the national media sponsor of the opening keynote address, “Cultivating the Character of Home,” with actress Brooke Shields and her longtime collaborator and friend British designer David Flint Wood, moderated by humanitarian, designer, and author India Hicks.
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Mar 3, 2025 | 
milieu-mag.com | David Masello |Saray Fragoso
Tara Shaw is a direct descendant of talented shoppers, a pedigree that has led to her recent collaboration with Century Furniture, itself a third-generation family-owned business. “My grandmother had a Ph.D. in shopping, as did my mother,” says Shaw with humor from her New Orleans showroom, her whippet Sister Lucca nestled against her (named for one of her favorite Italian cities).
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Mar 3, 2025 | 
milieu-mag.com | David Masello |Saray Fragoso
When Kevin Brost and his partner, Ian Hamilton, finished the chore of renovating their 1940s weekend cottage in Door County, Wisconsin, they turned to their potting shed as the next project. After scouring shops around the state, they accumulated a collection of vintage and antique garden tools, objects that embody, as Brost says, “their honest beauty.”To see all photos, visit the MILIEU Newsstand to purchase this issue in print or visit Zinio.com to purchase this issue in digital format.
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Mar 3, 2025 | 
milieu-mag.com | Edward McCann |Saray Fragoso
The self-described “gentleman rancher” wanted to escape. The Texas businessman wished to be able to trade the fast pace of his daily work life in Dallas for a place where he and his family and friends could relax, hunt, and fish.
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Mar 3, 2025 | 
milieu-mag.com | Fred Albert |Saray Fragoso
Interior designer Michael Del Piero didn’t always see eye to eye with client Jenna Saltzman when it came to the design of her house. Jenna craved a home filled with color and pattern and drama, while Del Piero is known for spare, ethereal spaces that usually manage to avoid all three. Still, the designer felt sure they could come to some kind of agreement. After all, she’d known Jenna since birth.
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Mar 3, 2025 | 
milieu-mag.com | David Masello |Saray Fragoso
Michael Aiduss likes to make movies. Not the kind with action and dialogue, but ones that take place quietly in homes that he alone creates and designs. Upon the completion of the gutting, rebuilding, and redesigning of every room of this Edwardian-era English townhouse, Aiduss calls his finished work “cinema.” As the designer/director, he emphasizes how “the images, the furnishings, the very décor in a room become cinema. Paint colors allow for personality and character.
