Sean Egan

1 month ago | detroitchamber.com | Anjelica Miller |Sean Egan |Brad Williams

On March 3, Detroit Regional Chamber members received an update on Michigan’s Earned Sick Time Act (ESTA) amendments from the Chamber’s Vice President of Political Affairs, Brad Williams, and Sean Egan, the Deputy Director of Labor for the Michigan Department of Labor and Economic Opportunity (LEO). At 11:18 p.m. on Feb.

2 months ago | detroitchamber.com | Sabrina Cynova |Sean Egan |Brad D. Williams

Join the Detroit Regional Chamber and the Michigan Department of Labor and Economic Opportunity (LEO) for a free webinar about the Earned Sick Time Act (ESTA) on Friday, Jan. 31, from 11 to 11:45 a.m. This webinar will equip employers with essential information to prepare for ESTA’s implementation.

Jul 15, 2024 | thecritic.co.uk | Sean Egan

This article is taken from the July 2024 issue of The Critic. To get the full magazine why not subscribe? Right now we’re offering five issues for just £10. Ringo Starr’s grinning, head-shaking figure flailing away behind his Ludwig drum kit was as much a trademark of the early Fab Four as their collarless jackets and three-part harmonies.

Aug 14, 2023 | thecritic.co.uk | Sean Egan

This article is taken from the August-September 2023 issue of The Critic. To get the full magazine why not subscribe? Right now we’re offering five issues for just £10. The likes of Ishtar and Waterworld may have succeeded it in the public imagination as bywords for Hollywood excess, but for a certain generation 1963’s Cleopatra is the quintessential more-money-than-sense film. Throughout the 1950s, “sword and sandal” movies did huge business, from Quo Vadis (1951) to Ben-Hur (1959).

Jul 3, 2023 | thecritic.co.uk | Sean Egan

This article is taken from the July 2023 issue of The Critic. To get the full magazine why not subscribe? Right now we’re offering five issues for just £10. Up until the second half of the 1980s, books-of-the-film constituted a culturally invisible but huge chunk of the paperback fiction market. No newspaper or literary journal deigned to review them, but they underwrote vast swathes of the publishing industry. It was a market predicated on era-specific media traditions and technological limitations.