Articles

  • Jan 12, 2025 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    Three of my favourite authors happen to be Oxford alumni. One is Philip Pullman, whose alternative Oxford in His Dark Materials fascinated me as a child (and as a teenager, when I reread it).Then there is Frances Hardinge, the Costa award-winning author of The Lie Tree, and many other gothic, eccentric children’s books besides. And last but not least, Natasha Pulley, a predominantly historical fantasy writer who I discovered later on.

  • Jan 9, 2025 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    The manuscript of Mauricewas discovered with the note: “Publishable, but worth it?”. Apparently, the author E.M. Forster concluded that it wasn’t; for a novel openly about homosexuality – illegal at the time of writing in England of 1913-14 – the risk was too high. The novel remained hidden in a drawer for 57 years, and would only meet the public eye posthumously in 1971. Even then, reviews were mixed.

  • Jan 8, 2025 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    TikTok’s BookTok niche has provided a platform for recommendations which has caused an explosion in literary sales and inspired a whole new generation of readers. The dominant place occupied by the romance genre within the BookTok sphere cannot escape notice; this includes offshoots like ‘dark romance’ – which often has toxic or supernatural elements and ranges from It Ends With Us to Twilight – and ‘Romantasy’.

  • Dec 5, 2024 | oxfordstudent.com | Sophie Harrison

    The pang of being away from Oxford is particularly pronounced at this time of year. Oxmas, with its blend of academic frenzy and festive anticipation, is a singular joy I’ve yet to find a match for. It’s the one time of year when the breakneck pace of term has its benefits, as you find yourself eating Christmas dinner in November.

  • Nov 9, 2024 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    Through the social media grapevine, news has emerged of not one but at least two upcoming remakes of Jane Austen’s beloved Pride and Prejudice. Given that the 2005 adaptation starring Keira Knightley is one of my favourite films, this prospect fills me with both excitement and trepidation. Why recreate what is already a triumph? What new perspectives can be offered? In our times, Austen-mania has turned the Hampshire-born author into something of a commercial ‘industry’.

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