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OxStu Culture

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  • 1 month ago | oxfordstudent.com | OxStu Culture |Cici Zhang

    We were spinning into the darknessand the Earth was on fireShe can take it backShe can take it back, someday. —Pink Floyd, “Take It Back”1. Tenderness, for me, is watching Clarence Clemons kiss Bruce Springsteen on the mouth during the early E Street Band concerts. Two bulky, broad-shouldered men embrace each other with a ferocity that turns the air electric, a shared carnality found only in music.

  • Jan 12, 2025 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    Three of my favourite authors happen to be Oxford alumni. One is Philip Pullman, whose alternative Oxford in His Dark Materials fascinated me as a child (and as a teenager, when I reread it).Then there is Frances Hardinge, the Costa award-winning author of The Lie Tree, and many other gothic, eccentric children’s books besides. And last but not least, Natasha Pulley, a predominantly historical fantasy writer who I discovered later on.

  • Jan 11, 2025 | oxfordstudent.com | OxStu Culture |Grace Nelson

    Last month marked the premiere of Sky Atlantic’s dark comedy drama miniseries Sweetpea, a show centred around the highly introverted Rhiannon (Ella Purnell) as her life enters a vicious downward spiral when her highschool bully Julia (Nicôle Lecky) returns to town to sell the home of Rhiannon’s recently-deceased father. Ella Purnell of Yellowjackets (2021—) and Fallout (2024—) fame shines as the show’s protagonist, perfectly encapsulating the wallflower character.

  • Jan 10, 2025 | oxfordstudent.com | OxStu Culture |Charlie Stevens

    As someone with a soft spot for fantasy, the fact that I’ve never read anything by Susanna Clarke until now remains a bit of a mystery to me. Clarke, who attended Oxford, is known for her bestselling debut novel, Jonathan Strange and Mr Norrell (2004), which is an iconic historical-fantasy novel that I’ve heard many glowing reviews about (and definitely intend to read).

  • Jan 9, 2025 | oxfordstudent.com | OxStu Culture |Sophie Harrison

    The manuscript of Mauricewas discovered with the note: “Publishable, but worth it?”. Apparently, the author E.M. Forster concluded that it wasn’t; for a novel openly about homosexuality – illegal at the time of writing in England of 1913-14 – the risk was too high. The novel remained hidden in a drawer for 57 years, and would only meet the public eye posthumously in 1971. Even then, reviews were mixed.

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