Stephanie Bunbury

2 weeks ago | smh.com.au | Stephanie Bunbury

, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. We all lived through what looked like a sci-fi scenario during the initial Covid lockdown, says Jodie Comer. Streets deserted, shops closed, birds singing to the empty air: it wasn’t a zombie apocalypse, obviously, but London looked very much as it did in Danny Boyle’s 2002 film 28 Days Later.

2 weeks ago | stuff.co.nz | Stephanie Bunbury

For about 10 years, Celine Song struggled to make a living in New York as a playwright. At one point, she realised she had better get a day job if she was going to pay her rent. The usual thing, she thought, was to make coffee or pull beers, but she soon discovered that a lot of other struggling artists had nabbed those hospo side-hustles before she got to town. “To be a barista you need like 10 years of experience,” she says.

2 weeks ago | watoday.com.au | Stephanie Bunbury

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2 weeks ago | smh.com.au | Stephanie Bunbury

, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. For about 10 years, Celine Song struggled to make a living in New York as a playwright. At one point, she realised she had better get a day job if she was going to pay her rent. The usual thing, she thought, was to make coffee or pull beers, but she soon discovered that a lot of other struggling artists had nabbed those hospo side-hustles before she got to town.

3 weeks ago | smh.com.au | Stephanie Bunbury

, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. When Jafar Panahi attended the Cannes Film Festival with his latest film, It Was Just an Accident, it was the first time the renowned director had been allowed to leave Iran in 15 years.