Articles

  • 1 week ago | screenhub.com.au | Stephen Russell |Danny Boyle |Jack O'Connell |Alfie Williams

    It’s said the once and future King Arthur slumbers beyond the mists of Avalon until such time as Britain has need of him once more. You have to wonder if his alarm didn’t go off, going into reunited director Danny Boyle and writer Alex Garland’s batshit-crazy-good 28 Years Later, because if ever the UK needed its mythological hero, it was about 27 and a bit years ago. Typical.

  • Jan 28, 2025 | artshub.com.au | Stephen Russell

    Gigging since the 1990s as a member of Sydney folk rock group Acquiesce and then, briefly, electro outfit Sorija before releasing her debut solo album, The Overture & the Underscore, in 2004, multiple ARIA Award-winning Sarah Blasko knows gigging deep down in her bones.

  • Jan 27, 2025 | screenhub.com.au | Stephen Russell

    For every triumph like Barbara Streisand inhabiting the spirit of Fanny Brice in Funny Girl or the brilliance of NWA origin story Straight Outta Compton, the music biopic route is littered with roadkill like the straight-washing Bohemian Rhapsody or offensively naff Amy Winehouse misfire Back to Black.

  • Jan 20, 2025 | screenhub.com.au | Stephen Russell

    There’s a fake news take that critics are a permanently cranky lot who actually loathe movies and love nothing better than moaning about them, but the reality couldn’t be further from the truth. We’ve dedicated our careers to sitting in the flickering dark not because we think most movies are rot, but because we live in eternal hope that they are not. Occasionally, a game-changing filmmaker comes along who captures hearts and minds across the aisle.

  • Jan 12, 2025 | screenhub.com.au | Stephen Russell

    This review contains a spoiler for the Severance Season 1 finale, and also contains mention of suicide. War is Peace. Freedom is Slavery. Ignorance is Strength. No, it’s not Elon Musk/Donald Trump’s latest social-media meltdown but the doublespeak mottos of the Ministry of Truth, the propaganda factory to which cog in the totalitarian machine Winston Smith is shackled in George Orwell’s all-too-prophetic novel, 1984.

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