Articles

  • 1 week ago | reelfilm.com | David Nusair |Delroy Lindo |Hailee Steinfeld |Jack O'Connell

    Directed by Ryan Coogler, Sinners follows circa 1930s twin brothers (Michael B. Jordan’s Smoke and Stack) as their efforts at opening a middle-of-nowhere juke joint are complicated by menacing outside forces.

  • 1 week ago | awilime.com | Jodie Foster |George Clooney |Julia Roberts |Jack O'Connell

    7,8Amerikai krimi thriller (2016)NetflixMaxFilm adatlapjaLee Gates egy pénzügyi tévéműsor vezetőjeként osztogatja a bennfentes információkon alapuló tanácsait. A sármos és lehengerlő tőzsdeguru lábai előtt hever a Wall Street és egész Amerika. Ám néha ő is tévedhet. Ennek issza meg a levét Kyle, aki emiatt minden pénzét elveszítette. Az elkeseredett férfi kétségbeesett lépésre szánja el magát, élő adásban túszul ejti a műsorvezetőt és a stúdió személyzetét.

  • 2 weeks ago | maritime-executive.com | Jack O'Connell

    As one of a small group of lawyers with in-depth decarbonization expertise, Barden has become a "go-to" person when it comes to the fast-changing world of maritime climate rules and regulations. Welcome, Helen! Tell us about yourself – your background and education. I grew up in Northumberland, in the North East of England, surrounded by countryside.

  • 1 month ago | timeout.com | Elizabeth Weitzman |Michael Jordan |Wunmi Mosaku |Jack O'Connell

    Photograph: Warner Bros. Review4 out of 5 starsMichael B Jordan and Michael B Jordan wrestle with the devil in Ryan Coogler’s historical horror epicFilmRecommendedThursday 10 April 2025FacebookTwitterPinterestEmailWhatsAppAdvertisingTime Out saysYou’ll get several movies for the price of a single ticket in Ryan Coogler’s (Creed) period drama-thriller-romance-musical Sinners.

  • 1 month ago | letterboxd.com | Ryan Coogler |Michael Jordan |Hailee Steinfeld |Jack O'Connell

    More A bloody, muscular, barrelhouse of a vampire movie that throbs like the neck of a blues guitar on fire, Ryan Coogler’s “Sinners” might be the first story the “Creed” director has ripped straight from his own guts, but it thrillingly continues his post-“Fruitvale” tradition of filtering real and imagined Black histories through the prism of blockbuster entertainment, and of doing so in a way that recognizes genre as a living connection between the past and the future, as opposed to seeing...

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