
Tara Judah
Articles
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2 days ago |
bfi.org.uk | Tara Judah |Adam Nayman |Francesca Steele |Nicolas Rapold
The Encampments uses the natural momentum of the Gaza Solidarity Encampment at Columbia University in New York as its structural spine. What began with 50 students pitching tents in the campus’s designated protest zone soon became a national and international movement of students occupying campus lawns, demanding university administrations divest from Israel and weapons manufacturing.
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2 days ago |
bfi.org.uk | Adam Nayman |Tara Judah |Francesca Steele |Nicolas Rapold
“Fight like a girl,” the heroine of Ballerina is instructed. Apparently, taken to its logical conclusion (to the extent that any movie set in the John Wick universe can be said to have a logical conclusion) this imperative means duelling with flamethrowers and using ice skates like bayonets, impressively inventive bits of carnage in a movie whose body count is in triple digits before the end of the first act.
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2 months ago |
bfi.org.uk | Anton Bitel |Nick Davis |Adam Nayman |Tara Judah
Jared Hess’s A Minecraft Movie is a big (and not just in budget), brash and brazen family film – so don’t by fooled by the apparent modesty of its title’s indefinite article. It is the middle word that does the heavy lifting in the first feature film to be based on Mojang Studios’ Minecraft, the best-selling video game of all time.
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Feb 17, 2025 |
bfi.org.uk | Rachel Pronger |Tara Judah |Leslie Felperin
A rage monster president is beholden to a big-brain misfit, bringing America to the brink of war with an ally over an island rich in (un)natural resources. Heroes who’ve assumed the role of Captain America before and after Golden Boy Steve Rogers struggle as a new administration abandons values they’ve fought for.
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Feb 13, 2025 |
bfi.org.uk | Nicolas Rapold Festivals |Nicolas Rapold |Rachel Pronger |Tara Judah
Reviewed from the 2025 Sundance Film Festival In 1983, Elizabeth Bouvia, a 26-year-old American with cerebral palsy, entered a hospital for the purpose of ending her life, but her attempt was rebuffed in the courts. In Life After, Reid Davenport revisits the case and embarks on an insightful consideration that braids together philosophical, personal, and political implications, to create a film essay on disabled experience.
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