Articles

  • 2 weeks ago | timeout.com | Sofia Hallström |Tate Modern

    Image: © Chris Lensz, 2. Tate Modern’s Tanks, 2016 © Tate PhotographyArtTate Modern, Bankside17 Jun25 Aug 2025Wednesday 21 May 2025FacebookTwitterPinterestEmailWhatsAppTime Out saysDJ by night and artist by day, French interdisciplinary talent Christelle Oyiri is set to take over Tate Modern this June as the first recipient of the Infinities Commission, a new annual award celebrating experimental contemporary art.

  • 2 months ago | timeout.com | Sofia Hallström |Tate Modern

    Photo: Jessica MaurerArtTate Modern, Bankside1 May26 Oct 2025Monday 7 April 2025FacebookTwitterPinterestEmailWhatsAppBuy ticketAdvertisingTime Out saysCelebrated Korean-born, London-based artist Do Ho Suh will be the subject of a new Tate Modern exhibition opening in April. His work explores themes of globalisation and belonging, establishing him as a key figure in contemporary conversations on space and identity.

  • Nov 26, 2024 | hypebae.com | Navi Ahluwalia |Tate Modern

    “Electric Dreams” is the latest exhibition hosted by London‘s Tate Modern, documenting the early innovators and pioneers of “optical, kinetic, programmed and digital art.” Celebrating those who forged a new path within digital art and immersive design, the exhibition brings together over 70 international artists, working between the 1950s and the early internet age.

  • Jun 17, 2024 | travelblog.org | Tate Modern

    Travel Blog » Europe » United Kingdom » England » Greater London » Blogs » Day 4 - A Quiet Day at the Tate Modern - Europe » United Kingdom » England » Greater London Published: June 17th 2024 Edit Blog PostTate Modern - Jody with Enrico Baj - Fire! Fire! 1963The Tate Modern is free, and is only about 2.1 miles away, but fortunately most of the distance is only a few stops away on the “Tube”.

  • Jan 17, 2024 | lrb.co.uk | Paul Keegan |Tate Modern

    The virtue​ of Philip Guston at Tate Modern is to leave his outsiderishness intact – his oddity will not go away – while suggesting that Guston might be the mid-century American painter who matters most now. Or who can still offend.

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