Articles

  • 1 month ago | hyperallergic.com | Natalie Haddad |Lakshmi Rivera Amin |Lisa Zhang |John Yau |Tim Keane

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Making the ordinary inexplicable, painting landscapes of the psyche, and creating layers that shouldn’t exist. Those descriptions correspond to Catherine Murphy, Dorothy Hood, and David Kennedy Cutler, three of the artists we’re looking at this week.

  • 1 month ago | hyperallergic.com | Tim Keane

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member.

  • Jun 19, 2024 | startribune.com | Tim Keane

    Opinion editor's note: Star Tribune Opinion publishes a mix of national and local commentaries online and in print each day. To contribute, click here. ••• In a recent podcast, Ezra Klein of the New York Times talked about two dueling visions of environmentalism. In one version of environmentalism are things that improve and preserve the local environment, like reducing air pollution, reducing polluted water runoff, preserving habitat, and expanding green space, trees and plants.

  • Mar 6, 2024 | newsbreak.com | Tim Keane

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  • Mar 6, 2024 | hyperallergic.com | Tim Keane

    Among the 17 paintings by artist Sarah Grilo in Galerie Lelong’s The New York Years, 1962–1970, one work most dramatically prophesizes the dread-inducing news alerts of our time. The brushwork in beiges, browns, greens, and grays in “America’s going…” (1967) is overlain by red lettering that the artist transferred from newspapers, eerily resembling those red chyrons that flash on our phones and stream across cable news today.

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