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1 month ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionRabih Kayrouz subscribes to the philosophy that fashion isn’t about seasons—it’s a continuum, a quiet evolution of silhouettes that speak to emotion and elegance. “I find it hard to talk each season about a theme or a genre,” the designer observed.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionWhen Paolina Russo and Lucile Guilmard met through a studio-share arrangement, neither could have anticipated that their Central Saint Martins education—and internships at Marc Jacobs (for Lucile) and Margiela (for Paolina)—would coalesce so quickly into one of London’s most intriguing young labels.
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2 months ago | 
family.style | Tina Isaac-Goizé |Jane Lewis |Greta Rainbow
Fabien Baron never planned on moving back to Paris full-time. He originally left in 1982, but it wasn’t until the outcome of the 2024 U.S. election that he gave himself some extra space for gratitude. “I do miss the city, but recently I said to myself for the first time, I’m really glad to be here,” he ventures, taking a beat to measure his words.
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2 months ago | 
family.style | Jane Lewis |Greta Rainbow |Tina Isaac-Goizé |Sahir Ahmed
A courtyard entryway with arched plaster walls and modern, concrete floors creates the feeling of entering the home of a close friend in the middle of Manhattan. The 2,500 square-foot-space on Madison Avenue, however, is not residential but rather it is Vince’s new New York City flagship, which opened last month, and indeed it is special.
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2 months ago | 
family.style | Greta Rainbow |Tina Isaac-Goizé |Sahir Ahmed
Lynne Tillman hates the term “creative nonfiction.” The MFA program buzzword, bestowed on hybrid essays, lyrical prose, and any true narrative that doesn’t read as totally dull, could apply to the writer, if she didn’t stand so outside of genre or so reliably upend literary conventions. “Anything you write requires making up something,” Tillman tells me over the phone from her apartment in New York’s East Village, the neighborhood she’s lived in since the 1980s. “You make up the order of things.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionTimes may be strange and fashion week stressful, but Paula Canovas del Vas admits that she thrives in chaos. On their way into the Spanish embassy on the Avenue George V, where her presentation took place, guests were handed cards with a jumble of letters and symbols and invited to parse them, create a message and leave it on a board. The first up was an all-caps, underscored “No One Owns Me,” by the designer herself—the title of her show.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionA little more than a decade after founding her label, Johanna Ortiz finds herself the matriarch of a luxury lifestyle brand spanning women’s wear, homewares, and a school that teaches dressmaking skills—primarily to women—and supports traditional crafts produced by half a dozen Indigenous communities. For a fall collection called Candelaria, Ortiz said her muse was a mysterious, elegant collector of experiences and things.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionThe only thing religious about Santa Gloria, as Luis de Javier called his fall outing, was its name. Stripped of all spiritual connotations, the clothes honored his Iberian roots by way of flamenco and “puro Spanish sex.”By that, the designer said he meant strength, sensuality, and the fire of his homeland’s traditional dance as it has been reinvented for present-day audiences by the artist Rocío Molina, whose show he caught in Barcelona last year.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionRunning a fashion studio means existing on another time zone, somewhere adjacent to the rest of the world. Worn out by the headlines, the London-based designer Natalia Alaverdian—Ukranian and Armenian by heritage, Muscovite by birth—called it her sanctuary, a place to delve into the alt world of cinema.
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2 months ago | 
vogue.com | Tina Isaac-Goizé
CoverageCollectionThe rose is popping up all over for next season, but for Magda Butrym the flower and its symbolism are familiar territory, a visual cue for a brand founded, just over a decade ago, with the mission of redefining romanticism in fashion. The Polish-born designer was quickly recognized for her work, landing a spot among the semi-finalists for the 2018 LVMH Prize.
