Trisha Gupta

2 weeks ago | frontline.thehindu.com | Vivek Katju |Vaishna Roy |Trisha Gupta

Jay Khanna, the winsome filmmaker protagonist of 2023’s celebrated OTT series Jubilee, begins life as a child of the theatre. Brought up by a Punjabi Khatri father who runs his own drama company, Jay’s childhood experiences have equipped him for both production and performance. Jay’s first script is written for the stage and for his actor friend Jamshed Khan. Then Partition takes away Jamshed and catapults Jay into the orbit of Bombay’s biggest film studio, Roy Talkies.

Mar 10, 2025 | frontline.thehindu.com | Sharada Srinivasan |Vaishna Roy |Trisha Gupta

The title did not specify which cities, but Mumbai has been Sudhir Patwardhan’s muse since he arrived there as a young medical graduate 50 years ago in 1974. His brilliant recent show, “Cities: Built, Broken”, which closed at Vadehra Art Gallery in Delhi on March 4, was no exception. It could be argued, though, that the city for Patwardhan has often been a site in which to explore his favourite subject: people. It was an interest in human beings that led him to study medicine in Pune.

Oct 25, 2024 | tandfonline.com | Trisha Gupta

Advanced search The Seventeenth Century Latest Articles Submit an article Journal homepage Full Article Figures & data Citations Metrics Reprints & Permissions Read this article /doi/full/10.1080/0268117X.2024.2418736?needAccess=true Click to increase image sizeClick to decrease image size Notes 1 See Bernard Capp, When Gossips Meet: Women, Family, and Neighbourhood in Early Modern England (Oxford: Oxford University Press, 2003), p. 17 and Diana Primrose, ‘A chaine of pearle, or a memoriall...

Oct 12, 2024 | frontline.thehindu.com | Trisha Gupta |Vivek Katju |Vaishna Roy

The first thing you saw at the retrospective titled “O.P. Sharma & the Fine Art of Photography: 1950s-1990s” (September 5 to October 3)—organised by the Alkazi Foundation for the Arts in collaboration with Art Heritage, at Shridharani Gallery, Triveni Kala Sangam, New Delhi—was not a photograph. It was a watercolour, an experiment in form. In pale yellow tinged with red, the near-perfect symmetry of the shapes initially evoked thoughts of inanimate objects rather than the human body.

May 12, 2024 | flipboard.com | Trisha Gupta

Manoj Bajpayee: ‘Hindi filmmakers should go back to the drawing board’The team of The Fable was jumping up and down—for joy and for Instagram—in the mid century modernist foyer of Berlin’s Akademie der Künste (Academy of …