
Trisha Mukherjee
Associate Editor, Sunday Magazine at The New Indian Express
@TNIEMagazine — writes on art and culture, books, food and travel; @newindianxpress Past: Outlook magazine, Press Trust of India, The Pioneer
Articles
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1 week ago |
indianexpress.com | Trisha Mukherjee
The news comes after the cancellation of the JCB Literature Foundation’s licence “issued to it under section 8(5) of the companies Act, 2013”. According to a notice, dated March 12, on the JCB Prize website, the foundation had sent an application to the Registrar of companies, Delhi & Haryana at Delhi for revocation of the licence. “The company will be required to add the word ‘Private Limited’ to its name in place of ‘Foundation’,” the notice said.
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1 week ago |
indianexpress.com | Trisha Mukherjee
The human form is, perhaps, among the most popular subjects for artists. Indian artists, being no exceptions, have time and again resorted to body politics to address human rights, gender discrimination, environmental concerns and technological evolution.
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3 weeks ago |
indianexpress.com | Trisha Mukherjee
As if in an act vindicating their role in nature, several contemporary Indian artists have made these bugs into their muses to foster discourse on one of the most pressing issues of the 21st century: the environment. In a rather literal ode, artists Nibha Sikander and Namita Vishwakarma recreate images of different insects they spot in their environment, creating a sort of an archive.
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4 weeks ago |
indianexpress.com | Trisha Mukherjee
You entered the world of films with Satyajit Ray’s Apur Sansar (1959). How did working with him that early in your career shape your sensibilities as an artiste? Although I was very young, I used to read a lot of books. I was what in Bengali they say paaka — more grown up than your age. To work with Manik da was a learning because you see him, and the entire unit… they were all very well informed about their profession… art and photography.
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4 weeks ago |
indianexpress.com | Trisha Mukherjee
Artefacts yielded from an excavation of Ambaran between 1999 and 2000, an archaeological site in Jammu’s Akhnoor, form the subject of an ongoing photography exhibition at Delhi’s National Museum. Titled “Ambaran: The Historic Buddhist Citadel of J&K” the show by journalist and photographer Vijay Kranti features images of terracotta heads, pottery, coral jewellery and silver coins. Situated on the bank of Chenab,the site is located at the entry point of Akhnoor, about 30 km north of Jammu.
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