
Wendy Mitchell
Contributing Editor and Nordic Correspondent at Screen Daily
Film journalist, moderator, festival consultant. Author of CItizen Canine, https://t.co/zRBXkqKSxN. website is https://t.co/1z8V2qEZlL
Articles
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1 month ago |
screendaily.com | Wendy Mitchell |Stuart Kemp
Copenhagen International Documentary Film Festival (CPH:DOX) and European Film Promotion (EFP) have joined forces to mount online showcase EUROPE! On Demand, which aims to bolster the profile of seven European documentaries in the North American market in particular. Running throughout the festival (March 19-30), the initiative will offer filmmakers guidance on US market strategies and help make key introductions. Screen talks to the filmmakers behind each of the seven projects.
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2 months ago |
screendaily.com | Wendy Mitchell
Voice and dialect coaches collaborated on some of the best performances of the year — but how do they work with their star clients? Screen talks to the experts who worked across Wicked, A Complete Unknown, The Apprentice and The Wild Robot. Source: Giles Keyte / Universal Pictures Cynthia Erivo would not have been able to defy gravity without her voice coach Antea Birchett.
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2 months ago |
screendaily.com | Wendy Mitchell
Anora, The Apprentice, A Complete Unknown, Conclave and Kneecap are Bafta nominated for casting. Screen gathers one nominee from each film to discuss their work and the shifting landscape of casting.
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2 months ago |
screendaily.com | Wendy Mitchell
Source: Courtesy of Pierre-Oliver Persin The Substance has five Oscar and five Bafta nominations; it also has 36,000 gallons of fake blood. It is the most visually horrifying film to have received major categories consideration from these two esteemed voting bodies. Coralie Fargeat’s film is not alone: Hugh Grant is Bafta-nominated for best actor in A24’s jump-scare-filled Heretic, while Robert Eggers’ Nosferatu is also recognised in five Bafta and four Ampas craft categories.
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Dec 10, 2024 |
screendaily.com | Wendy Mitchell
The teams behind Copa 71, Frida, Power and Soundtrack To A Coup D’Etat discuss their creative approaches to using footage. For UK filmmaker Rachel Ramsay, documentary feature Copa 71, about the 1971 Women’s World Cup, started with just 90 seconds of footage from a mislabelled clip found in the Associated Press archives. “It gives you goosebumps, ‘This is real,’” she recalls.
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My songs of the year, and some fun Photoshop work, here at the WendyMix 2024 https://t.co/grHRUyOTkG

Always such a treat to talk to @markcousinsfilm - loved learning more about Wilhelmina Barns-Graham.

On Sunday @markcousinsfilm joined journalist @indiewendy for a Q&A for his latest film: A SUDDEN GLIMPSE INTO DEEPER THINGS. @ConicFilm This documentary ode to Scottish artist Wilhelmina Barns-Graham screens from Fri 18 Oct: https://t.co/bCFBPAK5V5 https://t.co/ihugccooYO

Such a great initiative! Do apply if you are eligible.