Articles

  • Dec 17, 2024 | gsd.harvard.edu | Hanif Kara |William Smith

    In the early hours of June 14, 2017, a fire engulfed Grenfell Tower, a high-rise residential building in West London. Most Londoners remember where we were that day as events unfolded. The catastrophe led to the deaths of 72 people and caused severe trauma for the survivors, the community, and the nation. The Grenfell tragedy exposed a series of systemic failures in building regulations, safety protocols, and emergency response strategies in the United Kingdom.

  • Sep 5, 2024 | gsd.harvard.edu | William Smith

    A vertical garden in the backyard of 40 Kirkland Street on the campus of the Harvard Graduate School of Design (GSD) promises sanctuary to insects, relief from the late-summer heat, and new insights for how cities around the world can mitigate the effects of climate change. More than 1400 local plants hang in grow bags from a cylindrical scaffolding tower that rises nearly as high as the surrounding buildings.

  • Jul 30, 2024 | gsd.harvard.edu | Mimi Zeiger |William Smith

    Los Angeles’ Alameda Street cuts a north-south line through the city. Potholed by time, traffic, and freight trucks, the roadway stretches from Chinatown to the Port of Long Beach.

  • Jul 24, 2024 | gsd.harvard.edu | William Smith

    Students in Allen Sayegh’s seminar at the Harvard Graduate School of Design (GSD) installed an array of sensors on a tree in the yard behind the School’s iconic Gund Hall. The project aimed to collect data about phenology, the tree’s biological responses to changing seasonal temperatures. Integrating technology with the landscape, the effort is an example of a responsive environment, or a space augmented with digital tools and content.

  • Jul 22, 2024 | gsd.harvard.edu | Mahan Moalemi |William Smith

    For almost two decades, Sarah Oppenheimer has investigated the conditions that enable us to act upon and recondition the built environment. The artist is best known for her dynamic architectural interventions, or more precisely, insertions, as her work tends toward partial modifications rather than total disruptions in the structural fabric of a given space.

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