Zack Hatfield
Associate Managing Editor at Aperture Magazine
managing editor, Aperture magazine
Articles
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2 months ago |
aperture.org | Zack Hatfield
Twenty-five years ago, the German-born photographer Barbara Probst ascended a Midtown Manhattan high-rise, arranged a dozen cameras on tripods, and, at 10:47 p.m., leaped across the rooftop as an assistant triggered the shutters via a radio-controlled release system.
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Nov 1, 2023 |
artforum.com | Zack Hatfield |David Grundy |Brett Gorvy |Amalia Dayan
Dave Hickey’s The Invisible Dragon The Invisible Dragon: Essays on Beauty and Other Matters, by Dave Hickey, Los Angeles: Art Issues Press, 2023. 160 pages. AN OBSCURE, FOOTLOOSE ART CRITIC is doodling daggers on a notepad, barely participating in a panel on “What’s Happening Now”—now being 1988—when he suddenly finds himself being addressed by someone in the audience: What will be the “issue” of the ’90s? He snaps out of his reverie and replies, on a lark but dead serious, “Beauty.” Crickets.
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Nov 1, 2023 |
artforum.com | Gary Garrels |Zack Hatfield |Claire Bishop |Ian Volner
Artforum InboxRegister to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.
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Sep 12, 2023 |
artforum.com | Grace Byron |Ian Volner |Claire Bishop |Zack Hatfield
Inside New York’s first “all-doll” pop-up strip club“I WENT TO GREAT LENGTHS to find the top-shelf transsexuals,” Ruby Zarsky announced to a crowd of adoring chasers and twinks in black mesh tops. A few hours earlier, I’d arrived on time—I’m a Virgo with good-at-school syndrome. We waded through a thick mist of men only to wait for the doors to open a few minutes after eight. Of course my friend Frankie and I were the first to arrive. She wasn’t pleased I’d dragged her along so early.
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Aug 22, 2023 |
artforum.com | Zack Hatfield
In Seth Price’s novel Fuck Seth Price (2015), the narrator offers guidance for how to make “cool” paintings irresistible to collectors and critics alike. He calls these works post-problem art. “Any number of methods or styles would do,” he counsels, as long as the resulting paintings evoke “cynical irreverence toward sincerity or depth” and retain a “knowing” air.
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On Jenny Holzer’s Guggenheim show, for @nyreviewofarch: https://t.co/GvKFe2r0St https://t.co/Xfu8f8eg2b
RT @dtortorici: Behind the paywall (for now), here is the @nplusonemag editors on the new, staggering era of war imagery inaugurated by Is…
RT @negarazimi: Searing words by the novelist Atef Abou Seif
