
Zuzanna Lachendro
Articles
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4 weeks ago |
newstatesman.com | Zuzanna Lachendro |Michael Prodger |Kate Mossman |Zoe Huxford
“Call me Ishmael”, the opening line of Herman Melville’s Moby Dick,commands the reader. In her exciting feminist reimagining of the classic, the 2020 Goldsmith’s Prize shortlisted author Xiaolu Guo instructs the reader to call the narrator Ishmaelle. Guo’s plot follows a similar trajectory to the original. The cast is slightly changed; Captain Ahab becomes Captain Seneca and rather than sailing on the Pequod, Ishmaelle finds herself on the Nimrod.
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2 months ago |
newstatesman.com | Michael Prodger |Barney Horner |Rachel Cunliffe |Zuzanna Lachendro
Paul Theroux ought to know how to do it. The author of more than 30 works of fiction and some 20 of non-fiction, he has been writing for nearly 60 years. Nestled within his voluminous bibliography sit numerous collections of stories – including those written for Playboy in the 1970s and early 1980s. This new gathering displays plenty of the ease and adroitness garnered after all those years.
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Jan 22, 2025 |
newstatesman.com | Michael Prodger |Zoe Huxford |Zuzanna Lachendro
People knew Eric Tucker as many things – boxer, steelworker, building labourer, habitué of working men’s clubs and bookmakers – but few knew this tall, unkempt, heavy-set man as a painter. Shortly before his death at 86 in 2018 he suggested to his brother that it might be nice to hold an exhibition of his work.
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Nov 27, 2024 |
newstatesman.com | Michael Prodger |Megan Kenyon |Anna Leszkiewicz |Zuzanna Lachendro
The Swedish poet and artist Johanna Ekström died of cancer in 2022 at 51. She left behind 13 grey notebooks detailing the last years of her life: from October 2019 to X, the date on which she would die, even though she didn’t know exactly when that would be. It turned out to be 13 April and a week before she asked her oldest friend, the publisher and author Sigrid Rausing, to edit and finish the text.
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Nov 20, 2024 |
newstatesman.com | Michael Prodger |Zuzanna Lachendro |Rachel Cunliffe |Zoe Huxford
“I was one continued shudder from the beginning to the end of the performance.” So said Abigail Adams in 1784 about the first mass-scale performance of Handel’s Messiah, written in 1741. Singers, players and audiences have continued to shudder ever since as the oratorio has become probably the most performed piece in the repertoire.
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