Articles

  • 2 months ago | newstatesman.com | Michael Prodger |Pippa Bailey |Nicholas Harris

    In 1879, shortly before the 1884 Berlin Conference let loose the “scramble for Africa”, King Leopold of Belgium, the most brutal of the colonial overlords, came up with a scheme to give him an added advantage. He shipped four Asian elephants and their mahouts from India to the east coast of Africa and marched them inland to use them as teachers in a training school for African elephants – which then existed in a population 20 to 30 times larger than today.

  • Nov 30, 2024 | newstatesman.com | Nicholas Harris

    Given his interest in reconjuring lost Englands, it is fitting that Alan Hollinghurst passes his days alongside one of its best-preserved anachronisms. Hollinghurst’s home abuts Hampstead Heath, the great grassy eruption that bestrides north London, its woodland ancient and indifferent to besieging urban sprawl.

  • Nov 27, 2024 | newstatesman.com | Nicholas Harris

    Oxford in the 1980s was well-photographed, and as a consequence we have several contemporaneous images of a young William Hague. He went up to Magdalen College in 1979, to read (inevitably) Politics, Philosophy and Economics. Let it not be said he didn’t know how to have fun though: an image of him bopping in evening dress is now preserved forever. But the best is more sedate. Hague is at the Oxford Union, the university’s neo-gothic debating society, and looks it.

  • Nov 23, 2024 | saturdayread.substack.com | Jason Cowley |Nicholas Harris |George Monaghan |Pippa Bailey

    Good morning. Welcome to the Saturday Read, the New Statesman’s guide to politics, culture, books, and ideas. This is Finn, together with Nicholas, Pippa and George. We would like to thank all of our new subscribers for joining us in recent weeks. It’s the end of an era at the the New Statesman: our editor-in-chief Jason Cowley has announced he is standing down after 16 years in post.

  • Nov 13, 2024 | newstatesman.com | Nicholas Harris

    When art goes to space, it normally goes looking for either adventure or truth. In other words, for every George Lucas or Ridley Scott, there for the thrusters and lasers, you have your Stanley Kubrick or Christopher Nolan, using the cosmic vacuum as a place to test some of our deepest terrestrial quandaries. This year’s Booker prize winner, Orbital by Samantha Harvey, which dramatises a day onboard the International Space Station, 250 miles above Earth, falls decidedly in the latter tradition.

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