1883 Magazine

1883 is a dynamic multimedia platform and lifestyle brand that highlights the latest emerging talents and innovative ideas in fashion, music, film, travel, and the arts. Committed to the artists we support, 1883 continually adapts and breaks new ground to surpass the standards of a modern publication focused on music, fashion, culture, and lifestyle.

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#532501

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Spring Forward - 1883 Magazine

1 week ago | 1883magazine.com | Kelsey Barnes
Alec Benjamin - 1883 Magazine

1 week ago | 1883magazine.com | Kelsey Barnes

Alec Benjamin has spent over a decade crafting heartfelt music that has found its way into the lives of listeners across the globe. But sitting backstage in London — just hours before a milestone performance — he’s reflecting not on the accolades, but on the quiet, personal moments that have shaped him. From writing his first songs as a teenager to navigating the emotional weight of his latest album, 12 Notes, Alec opens up about the complexities of self-growth and the power of perspective.
Getting Ready with Ainsley Melham

2 weeks ago | 1883magazine.com | Kelsey Barnes

It’s opening night on Broadway and backstage at the Broadhurst Theatre theatre, the energy is electric. Among the buzz, star Ainsley Melham is centering himself with stretches, vinyl tunes, and a whole lot of heart. The Australian performer, known for lighting up stages around the world, is now bringing Dwayne — a swoon-worthy jazz musician — to life in the brand-new musical BOOP!, inspired by the iconic Betty Boop herself.
Video Premiere - 1883 Magazine

2 weeks ago | 1883magazine.com | Kelsey Barnes

There’s a spell woven into “Ecstasy in Space,” the latest release from Blue Foundation, which serves as the third single from their forthcoming album Close to the Knife, out April 18th. It’s a track that doesn’t just play — it envelops. Dreamy, shoegazey, and soaked in the thrill of abandon, the song pulses with ethereal textures and emotional urgency.
Someday Baby - 1883 Magazine

3 weeks ago | 1883magazine.com | Kelsey Barnes
Bellah Mae - 1883 Magazine

3 weeks ago | 1883magazine.com | Kelsey Barnes

Bellah Mae is the kind of artist who makes you want to scream-sing in your car with the windows down, hair whipping in the wind, fully embracing every chaotic emotion love can bring. Her music is bold, witty, and deeply relatable — whether you’re in the throes of heartbreak, reveling in post-breakup glow, or somewhere in between, her songs hit just right. The rising UK pop sensation has quickly established herself as the voice of a generation tired of playing it cool.
Matthew Xia - 1883 Magazine

1 month ago | 1883magazine.com | Nick Barr

In a world increasingly dominated by spectacle and distraction, Tambo & Bones cuts through the noise with sharp satire, dark humour, and uncompromising honesty. Currently touring the UK, the play is a searing exploration of the commodification of Black culture – from minstrelsy to modern hip-hop – and what it really costs to perform pain for profit. Yet somehow, it also manages to be really, really funny.
Alterations– Review, The Lyttelton at The National Theatre - 1883 Magazine

1 month ago | 1883magazine.com | Nick Barr

I just saw Alterations at The Lyttelton Theatre, a powerful revival of Michael Abbensetts’ 1979 play, directed by Lynette Linton with additional material by Trish Cooke. Set in a Guyanese-run tailor’s shop in 1970s London, it offers a vivid snapshot of the Windrush generation’s hopes, struggles and sacrifices. At the centre is Walker Holt, played by Arinzé Kene, a man consumed by his dream of owning the shop he runs.
World's First Cinema - 1883 Magazine

1 month ago | 1883magazine.com | Kelsey Barnes

In a world where attention spans are limited and music is now easily digestible, World’s First Cinema are not just crafting sonic soundscapes that demand to be listened to, but to be completely engulfed in. For them, every song is a story waiting to unfold — like a scene from a forgotten film or a long-lost dream where they are inviting listeners into their world where the boundaries between sound and vision blur.
Dracula: A Comedy of Terrors - Review, Menier Chocolate Factory

1 month ago | 1883magazine.com | Nick Barr

When I say “Dracula”, certain images come to mind… Possibly Gary Oldman with a heart-shaped head, or Christopher Lee with a bloody face, or the most terrifying – Klaus Kinski’s Nosferatu, looking like some sort of part man, part rat.