Bookforum

Bookforum

Bookforum is a quarterly book review published five times a year. It explores a range of topics in both fiction and nonfiction, as well as arts and culture. Featuring essays, interviews, columns, and reviews, Bookforum provides insights into the ideas that influence contemporary intellectual discourse.

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  • 3 weeks ago | bookforum.com | Sarah Schulman

    WHEN SARAH SCHULMAN WALKED INTO MY APARTMENT, a month or so after Artforum magazine fired me in October 2023 for publishing an open letter in support of Palestinian liberation, her first words were, “How can I help?” I think this is the most ethical sentence in the English language. She said it like she meant it. This orientation toward the world permeates her latest work,The Fantasy and Necessity of Solidarity (Thesis, $30).

  • 3 weeks ago | bookforum.com | Shon Faye

    TO DATE, I HAVE SEEN EVERY SEASON of Netflix’s Love Is Blind, a dating series in which attractive, sometimes deeply unhinged people spend ten days speaking to other attractive, sometimes deeply unhinged people through a wall, in the hopes that their inability to see each other will allow them to develop “real” feelings.

  • 3 weeks ago | bookforum.com | Maggie Nelson

    “IT DOESN’T TAKE ME LONG TO REALIZE that no one wants to read this pathemata,” writes Maggie Nelson in her new book, Pathemata. Nelson is not speaking of the book itself, but rather about a document that provides much of its source material: a record she has made of her jaw pain, for the benefit of doctors––its genesis, medical imaging, and history of unsuccessful treatment.

  • Feb 12, 2025 | bookforum.com | Emily Witt

    ARIANA REINES: Last time we spoke, it was over the summer, before Health and Safety (Pantheon, $27) came out. It was compulsive reading for me—at least five books in one. I don’t know how you did it.

  • Feb 12, 2025 | bookforum.com | Carrie Courogen

    ELAINE MAY DIDN’T SET OUT to become a director. What she really wanted to do was write. Her first film, A New Leaf, came about partly because it was 1968 and Paramount knew it would look good to hire a woman director. And partly because May wouldn’t sell her script without being guaranteed director approval—the only way to ensure her work didn’t get turned into something else entirely.

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