Lampoon Magazine

Humanity and Respect for Dignity Circular Economies and Worldwide Forestry Sustainability Issues in the Anthropocene Era

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Stories of power and sustainability: what does Avignon’s arc mean today?

4 weeks ago | lampoonmagazine.com | Carlo Mazzoni

A few days after the election of Pope Leo XIV—while cardinals convened in the Sistine Chapel and a film titled Conclave explored the twists that can lead to the papacy—Louis Vuitton staged a show at Avignon’s Palais des Papes. The event had been planned months earlier; no strategy could have foreseen or seized the winds of a global tempest, yet the timing felt choreographed.
Maria Grazia Chiuri saluta Roma a Villa Albani: nove anni di militanza per Dior

1 month ago | lampoonmagazine.com | Carlo Mazzoni

Nove anni fa Maria Grazia Chiuri arrivava a Dior – era militanza. Sulle magliette, urlava quanto tutti vogliamo essere femministi. In questi suoi anni: collegamenti e interlinee, commissioni, revisioni. Mostre, interventi, libri. Tutto con un solo testo: la donna. Diversa dall’uomo, titolata agli stessi diritti. Protetta e corrisposta a bilancio della forza fisica del maschio. Orgogliosa nel portento di una presa dopo secoli di seconda fila. 2016.
Alla Biennale, il sudore: mille miliardi di alberi, non c’è altro da fare

1 month ago | lampoonmagazine.com | Carlo Mazzoni

Carlo Ratti scrive che l’architettura è sempre stata una risposta a un clima ostile – è la prima riga del catalogo della Biennale di Architettura, l’introduzione a tutto. Nel 2024, la terra ha bruciato. Le media globali hanno superato la soglia di 1,5 gradi centigradi prefissata quale limite dagli accordi di Parigi. Gli incendi a Los Angeles, le alluvioni di Valencia, la siccità in Sicilia. Ridurre le emissioni di carbonio non è sufficiente.
Chanel e le manifatture italiane: investimenti e feste sul lago di Como

1 month ago | lampoonmagazine.com | Carlo Mazzoni

Con quote di minoranza, Chanel è entrata nel capitale di alcune manifatture italiane. Un piano di investimento, questo di Chanel, che – dando sostegno ad aziende a conduzione famigliare – conferisce maggiore stabilità alla catena produttiva. Chanel collabora così a finanziare le innovazioni, ad aggiornare i processi: allo stesso modo, ottiene il titolo di poter studiarne l’amministrazione, i costi e i ricavi. Maggiore trasparenza e maggiore salubrità economica. Un meccanismo di favore reciproco.
Anna Wintour e Donald Trump: stessa cultura, stesso atteggiamento da Boomer

1 month ago | lampoonmagazine.com | Carlo Mazzoni

Che si stiano abbuffando ai tavoli del Four Seasons o chiusi in un van con l’aria condizionata al massimo quando fuori c’è la migliore delle primavere, gli americani tracannano, neanche divorano. Padroni del mondo: una caricatura che vorremmo chiedere a Forattini di riassumere. L’altra sera, il Met Gala e ieri le immagini sparse per il pianeta come sassolini al posto di confetti.
Joel Dicker: the Writer and the Publisher

2 months ago | lampoonmagazine.com | Carlo Mazzoni

CM: This issue is about independence. You are a bestselling author who launched your own publishing house. Today, not many writers start their own company. It’s a move. We are used to listening to so many conversations about the fact that the entire publishing industry is facing a crisis; that the publisher’s role is not so helpful anymore. What if bestselling authors self-publish, counting on their own mediatic power?
Olivier Zham: A Manifesto for the Independent Publishing Industry

2 months ago | lampoonmagazine.com | Carlo Mazzoni

Carlo Mazzoni: Purple Magazine is a reference for the publishing industry—an art and fashion publication you co-founded in 1992. Lampoon is a cultural magazine, turning 10 years old in 2025. The title of this anniversary issue is Independence. Olivier Zahm: Independence. It means simply being independent from a media group and from external investors who seek mainly profitability. Profitability is always a challenge for an independent magazine. It doesn’t work like that.
Deb Koo’s still life paintings pay homage to the fleeting moments that mold our lives

2 months ago | lampoonmagazine.com | Agnese Torres

Born in South Korea and raised in the United States, Deb Koo belongs to the new guard of visual artists who combine traditional painting techniques with a contemporary vision and elements of pop culture. From an early age, art and drawing have been the binding force of her relationship with her older brother: «We connected through art as we used to spend a lot of time drawing together; and when we weren’t drawing, we were fighting and arguing.
A Storm in Grandma's Tea Set: Amit Berman on roughness and nostalgia

2 months ago | lampoonmagazine.com | Amit Berman |Agnese Torres

The artistic production of Amit Berman is like a visual autobiography in which memories, situations, and people from his life intertwine seamlessly. For a few years, he has been in the midst of an explorative journey of his sense of living and perceiving reality. Berman’s practice investigates universal themes through a strictly personal lens: nostalgia, belonging, romance and intimacy as well as other emotional spheres of the human condition are at the core of his canvases.
Brunello Cucinelli: “I was a farmer, I was poor, I was crazy in love with the sky”

2 months ago | lampoonmagazine.com | Carlo Mazzoni

Just steps away from the Royal Palace of Caserta—Vanvitelli’s masterpiece—the University of Campania has awarded an honorary research doctorate in Architecture. More precisely, the research field is dedicated to Made in Italy design, identity, innovation, and sustainability. Brunello Cucinelli speaks with a voice that blends into his breathing; his words seem almost sighed out.