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'Speed' review — this lively, high-velocity drama is a constantly surprising thrill ride | London Theatre

1 week ago | londontheatre.co.uk | Matt Wolf

Civilization is a delicate thing. That rather sizable truism underpins the sparky, appropriately high-velocity Speed, the latest play from Mohamed-Zain Dada, whose Royal Court entry Blue Mist was an Olivier nominee last year. He’s shifted venues this time round to the Bush, in the process giving that adventuresome address the liveliest offering it’s fielded since Shifters some 14 months ago.
'Shanghai Dolls' review — this pacy two-hander provides a window into a terrifying period of Chinese history | London Theatre

1 week ago | londontheatre.co.uk | Julia Rank

Eva Peron wasn’t the only dictator’s wife to seek an escape from abject poverty by pursuing a career as an actress. Jiang Qing, better known in the West as “Madame Mao” (as the fourth wife of Chairman Mao), also trod the boards and appeared in films – and her acting ambitions were rather loftier than Evita’s.
Reflecting on the Olivier Awards 2025

2 weeks ago | londontheatre.co.uk | Matt Wolf

This year’s Olivier Awards winners have by now been clocked, but we all know that a roll call of recipients forms only one part of such occasions. Of equal note at this year’s ceremony was an unusual generosity of spirit, coupled with a prevailing eloquence, that set in early and continued pretty well all the way through.
'Rhinoceros' review — 20th-century satire still remains relevant | London Theatre

3 weeks ago | londontheatre.co.uk | Anya Ryan

Eugene Ionesco’s 1959 play Rhinoceros was initially written as a response to the spread of wartime fascism, but its message is just as pertinent in our modern times. An epidemic has hit a French village: With no explanation, its residents have started to turn into rhinoceroses. Berenger, a normal man, meets his friend Jean for a drink when they spot the first beast. Surely their eyes deceive them? It feels like a shocking, targeted attack.
Learn all about these gripping true crime theatre shows

3 weeks ago | londontheatre.co.uk | Marianka Swain

Sometimes drama is at its most compelling, and affecting, when it’s based closely on real life – even the scary parts. That's evidenced by the popularity of TV series like Netflix's Adolescence, true crime podcasts, and shows in and beyond the West End. Theatre isn’t afraid to go to dark places too as it confronts the big challenges and tragedies in our society.
Discover the cast of 'Downton Abbey' on stage

3 weeks ago | londontheatre.co.uk | Julia Rank

Britain is renowned for producing beautifully made costume dramas for Sunday evening viewing, and Downton Abbey is one of the most successful of all time. Created by Julian Fellowes (Gosford Park), it was broadcast on ITV over six series (52 episodes) between 2010 to 2015 and attracted record numbers of viewers. It is sumptuous escapism with costumes and locations to die for, and packed with drama, intrigue, and social commentary.
Ivanno Jeremiah on bringing old Hollywood to the West End

3 weeks ago | londontheatre.co.uk | Nicole Vassell

According to Ivanno Jeremiah, he’ll be much more fun to be around in a couple of weeks time. We’re speaking on the phone, just a fortnight into the rehearsal period for the West End run of Ryan Calais Cameron’s play, Retrograde – and as an actor who enjoys soaking into his characters, Jeremiah is deep in the zone, focused on becoming Sidney Poitier. “Because we’re so early on in the process, I’m allowing the lines to blur a little bit,” he explains.
Ryan Calais Cameron on returning to the West End with 'Retrograde'

3 weeks ago | londontheatre.co.uk | Nicole Vassell

Ryan Calais Cameron has had a life-changing few years. This is no exaggeration. Until relatively recently, the writer, director and Nouveau Riche theatre company founder was moonlighting at a young people’s homelessness charity, writing plays in his free time and rejoicing when his work would sell well at small venues. “I came from fringe theatre, where even if you sell out, it’s like 50 or 80 seats,” he recalls.
'Sabrage' review — booze, bubbles and bacchanalia at this seductive new circus cabaret show | London Theatre

4 weeks ago | londontheatre.co.uk | Theo Bosanquet

Sabrage, the new burlesque (emphasis on the 'esque') offering at the Lafayette music venue in King's Cross, promises a hedonistic celebration of booze, bubbles and bacchanalia. So, let's start with the positives. The venue, known for hosting performances by the likes of Mumford & Sons and Charli xcx, has some stylish interiors, particularly in the 'VIP' Nola's bar, that evoke the kind of Parisian glamour the show's title references.
Learn about the history of Sondheim musicals in London ahead of 'Here We Are'

1 month ago | londontheatre.co.uk | Marianka Swain

For one last time, London audiences get to share in that very special experience: gathering for the much-anticipated arrival of a new Stephen Sondheim musical. The late, great composer and lyricist’s final show, Here We Are, which debuted at New York’s The Shed in 2023, is making its UK premiere at the National Theatre in April.