London Theatre Guide - Online
LondonTheatre.co.uk is the premier website focused solely on London’s theatre scene, showcasing both West End and off-West End productions.
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1 week ago |
londontheatre.co.uk | Julia Rank
Traditionally, West End shows have taken place between Monday and Saturday, with one midweek matinee and another on Saturdays (a total of eight shows per week). However, it’s no longer quite so clear-cut, with numerous performances now taking place on Sundays instead of Mondays. Several shows have matinees (for more information about matinee shows, read LondonTheatre.co.uk’s guide to matinees) or evening shows on Sundays (some even have both).
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1 week ago |
londontheatre.co.uk | Julia Rank
One of the most popular and successful musical comedies of the 21st century so far, The Producers has been delighting audiences for almost a quarter of a century with its bad-taste humour, ingenious meta-theatricality, and toe-tapping score. The show features music and lyrics by the incomparable Mel Brooks (the writer and director of the original film) and a book by Brooks and Thomas Meehan.
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2 weeks ago |
londontheatre.co.uk | Julia Rank
Although homosexuality was decriminalised in 1967, it wouldn’t be accepted in mainstream society for decades to come. In 1988, when fears around Aids were sky-high, the appallingly homophobic Section 28 was passed, a bill that banned the “promotion” of homosexuality in British schools.
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2 weeks ago |
londontheatre.co.uk | Julia Rank
One upon a time, Stephen Sondheim and James Lapine had the idea of creating a musical based on fairy-tale stories. Inspired by psychoanalytical analyses of these stories (very popular in the ‘70s and ‘80s), they decided on a mash-up of Cinderella, Jack and the Beanstalk, Little Red Riding Hood, and Rapunzel, plus the characters of the childless Baker and Baker’s Wife, who hold the various strands of the story together.
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2 weeks ago |
londontheatre.co.uk | Aliya Al-Hassan
Gounod’s opera Faust had its premiere in Paris in 1859 and could be said to be the epitome of French Grand Opera. This is the sixth outing of David McVicar’s extravagant 2004 staging for the Royal Opera, last seen in 2019. Its soaring melodies, elaborate sets and spectacular Victorian melodrama make it a spectacular and highly entertaining revival.
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