North West End UK
Delivering the latest theatre updates, critiques, and conversations from all over the United Kingdom.
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Articles
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5 days ago |
northwestend.com | Carole Baldock
I had intended to open with a merry quip: who has my eye-teeth? Unfortunately, although that did apply, this show ultimately left me somewhat underwhelmed. Unlike the rest of the audience, at one point, the girl behind us got so excited, her drink flew out of her hand down my companion’s back.
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1 week ago |
northwestend.com | Helen Jones
Priscilla, Queen of the Desert was originally a 1994 film starring the sublime Terence Stamp, Hugo Weaving and Guy Pearce. Some years later it was converted into a stage musical, and it is one of the campest but fun musicals around. Sale Nomads have this year brought it to Waterside Arts for a four-day run. The plot takes two drag queens and a transgender woman as they travel together across the Australian Outback from Sydney to Alice Springs to perform at a resort there.
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1 week ago |
northwestend.com | Wendy McEwan
When your partner is diagnosed with a life-changing illness, your shared history becomes a prologue. At first, nothing tangible changes between you. But at that moment, you each gain a new identity within your relationship. They are the patient, and you are the carer. And the future you had planned together is revealed as a mirage. As the audience enters, Jane (Lydia White) and Arthur (Matthew Seager) are falling in love.
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2 weeks ago |
northwestend.com | David Clarke
The programme describes this production as a musical comedy and there was certainly plenty of both on show at this performance presented by the East Cheshire Musical Theatre Company, who can always be relied upon to put on a first class and highly entertaining show. I cannot remember ever seeing a production with so many one-liners on the comedy front that had myself and the rest of the audience in absolute stiches throughout the whole of the show’s duration.
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2 weeks ago |
northwestend.com | Kathleen Mansfield
Writer, Cossette Bolt, creates a homage to humanity with this script. The sensitive subject (set in a funeral home where the dead are finally prepared for their send-off) is a tribute to the lives each body recently encompassed. Bolt says: This story exists because tragedy exists. [A] staggering number of lives [are] lost as a result of natural disasters, human disasters, and the pandemic.
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