Observer

Observer

Observer provides city dwellers with a fresh perspective on current events, culture, politics, and luxury, delivering its unique and bold voice to readers across the nation.

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Articles

  • 1 day ago | observer.com | Emily Zemler

    The beef tartare trolley at Maison Francois. Courtesy Steven Joyce. Everyone sitting in Maison François watches as our server dollops heaping spoonfuls of chopped cornichon and diced red onion into a large bowl of raw beef. The contemporary French restaurant’s tartare de boeuf trolley has become rather well-known in London, serving the classic dish with customizable flair beside the table rather than simply bringing it out from the kitchen.

  • 1 day ago | observer.com | Christopher Corwin

    Peter Kálmán, Alexey Zhilikhovsky and Aigul Akhmetshina as Bartolo, Figaro and Rosina in Il Barbiere di Siviglia.

  • 3 days ago | observer.com | Siddhant Adlakha

    Nadav Lapid’s Yes! Les Films du Losange, Courtesy of Cannes Film FestivalThe history of the Cannes Film Festival is underscored by a sense of rebellion. After all, its creation in 1939 was in response to Mussolini’s undue influence over the Venice Film Festival. Whether or not Cannes retains this righteous stature today is a matter of debate.

  • 4 days ago | observer.com | Lindsay Cohn

    Le Manoir aux Quat’Saisons. Courtesy Mattia AquilaLong before “sustainability” and “farm-to-table” were little more than culinary buzzwords, Raymond Blanc’s Le Manoir aux Quat’Saisons was already implementing both concepts in a honey-hued corner of the Cotswolds in Oxfordshire. Four decades later, the gastronomy-focused getaway, now part of the Belmond portfolio, continues its pioneering approach to agricultural and culinary excellence, while remaining grounded in nature.

  • 6 days ago | observer.com | Gameli Hamelo

    An installation view of Yinka Shonibare’s “Safiotra.” Photo: Fabio Thierry Andriamiarintsoa © Fondation HThis past April, scores of art world insiders from institutions, organizations and galleries—MoMA, Serpentine Gallery, V&A East and Goodman Gallery, to name a few—trekked to Madagascar for an exhibition billed as Yinka Shonibare CBE RA’s first major show in Africa.