Overland

Overland

Overland is Australia’s sole radical literary magazine, established in 1954, that has been highlighting innovative and forward-thinking fiction, poetry, nonfiction, and art. It has featured some of the country’s most notable literary figures while also providing a platform for marginalized voices and emerging writers every day. As of 2018, Overland operates as a quarterly print journal that includes essays, stories, and poetry. Additionally, it runs an online magazine that offers cultural commentary on weekdays and features special online editions of fiction and poetry from time to time. The magazine is also active in organizing events, discussions, and debates, while hosting significant literary competitions and offering a residency program for underrepresented writers.

National
English
Magazine

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Domain Authority
59
Ranking

Global

#608941

Australia

#31224

News and Media

#1022

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Articles

  • 3 weeks ago | overland.org.au | Sam Wallman

    256 Spring 2024 Overland 256 is the third issue in a suite of four special editions dedicated to commemorating 70 years of Overland. Inside its pages you'll find: Daniel Browning on the politics of memory, Antonia Pont on impatience, Sarah Wehbe on Palestinian fury and joy, and a special editorial by our departing poetry editor Toby Fitch.

  • 1 month ago | overland.org.au | Patrick Marlborough

    To discuss season two of Disney’s Andor without discussing the genocide in Gaza would be both morally and intellectually disingenuous, and cowardly in a way that stains. Tony Gilroy knows this, despite his press-tour pussyfooting. Disney more than knows this, and I’m sure they’ve been rehearsing their response to the incoming discourse for months, if not since Gilroy first handed in the scripts.

  • 2 months ago | overland.org.au | Toby Fitch |Gary Catalano |Louisa Mignone |Juliette McIntyre

    Speech given on Friday 13 December 2024 at Testing Grounds, MelbourneIt’s rare that I speak at Overland events, because I prefer to do my work as poetry editor in the shadows. Not like one of the faceless men of the Labor party, no — the work of selecting poetry isn’t particularly clandestine or manipulative. Nor does it need fanfare — it’s simple work, of carving down a cornucopia of submissions into a small set menu for each issue.

  • 2 months ago | overland.org.au | Jenny Sinclair

    Heidi drops slowly to her knees in a move she hopes looks seductive but, judging by the click in her netball-ravaged patellas, probably looks anything but. She grabs him, Joe’s whole body tensing for an instant, and puts him in her mouth. His eyes roll back. This is nice, she thinks or – more accurately – wills herself to believe. It has been a while.

  • 2 months ago | overland.org.au | Norman Saadi Nikro |Ben Brooker |Karen Wyld

    In her The Afterlife of Palestinian Images: Visual Remains and the Archive of Disappearance, the Palestinian filmmaker, writer, and artist Azza El Hassan provides compelling terms of reference by which to engage the fate of Palestinian artefacts as “remains,” or “remnants of plunder.”Concentrating mainly on film and photography, El Hassan focuses primarily on the “afterlife” of artefacts subject to Israeli violence and theft.

Overland journalists