Pointe
Pointe magazine offers essential information, insights, and guidance for both new and experienced dancers. It is released six times a year and can be accessed in both print and digital versions.
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Articles
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2 days ago |
pointemagazine.com | Kyra Laubacher
The past few weeks have brought another exciting round of ballet career news—check out the latest farewells, appointments, promotions, and more in your June 2025 roster roundup. In May, Pittsburgh Ballet Theatre celebrated the promotions of Grace Rookstool to principal, Emry Amoky and Abigail Huang to the corps, and Aoi Asano and Isak Sorenson to apprentice.
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4 days ago |
pointemagazine.com | Claudia Bauer
With six weeks of full-length ballets performed in the grandeur of the Metropolitan Opera House, American Ballet Theatre’s summer season is always a highlight for ballet fans. But this year’s Met season promises to be among the most festive—and bittersweet—in recent memory.
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5 days ago |
pointemagazine.com | Zoe Phillips
This June, Los Angeles’ American Contemporary Ballet will fuse Hollywood flash with classical tradition in The Euterpides, a new ballet from ACB director Lincoln Jones and composer Alma Deutscher. The piece, presented June 5–28 alongside George Balanchine’s Serenade, takes its inspiration from Euterpe, the Greek muse of music. ACB will present the show at a Los Angeles soundstage, Television City’s Stage 33, a space originally created for television filming.
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1 week ago |
pointemagazine.com | Catie Robinson
The life of an “emerging artist” is difficult, often defined by low pay and a lifestyle of moving from place to place, joining trainee programs and second companies in search of career advancement. Anabel Alpert lived that life for years before becoming a company artist with New Chamber Ballet, and, in 2023, she founded the NYC Emerging Artists Project to help dancers navigate this challenging stage. Alpert was inspired by her own experiences and that of others she met along her journey.
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1 week ago |
pointemagazine.com | Sophie Bress
Yuri Grigorovich, a choreographer and ballet master who helped define Soviet-era Russian ballet, died on May 19, 2025. He was 98. Grigorovich was well-known for his choreographic contributions to classical ballet—most notably his 1968 full-length, Spartacus—as well as for leading the Bolshoi Ballet from 1964 to 1995. His choreography moved the Russian style from its pantomime-heavy past to a future that foregrounded pure dance expression. “I think every kind of ballet has the right to exist.
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