Senses of Cinema
Senses of Cinema is a quarterly digital magazine focused on film, established in 1999 by filmmaker Bill Mousoulis. Located in Melbourne, Australia, this publication features contributions from film critics around the globe. It includes critical essays, detailed explorations of notable directors' careers, and reports on various international film festivals.
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United Kingdom
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Arts and Entertainment/TV Movies and Streaming
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Articles
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2 weeks ago |
sensesofcinema.com | Suja Sawafta
Introduction Jean-Luc Godard once famously declared that his “soul (was) Palestinian.” This affinity was not the result of some misplaced kinship but the outcome of a deeper political commitment; an understanding that the Palestinian struggle for freedom and sovereignty was fundamentally part of the global, and much larger, struggle against imperialism, “like Vietnam or Cuba.” At various points in his career, Godard also declared that “Cinema is Dead.” Cinema first died through sonic output:...
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1 month ago |
sensesofcinema.com | John Hill
“Individuals without love for life can be born; others may lose it for a short or long time, perhaps for all the life they have left; and finally . . . here, perhaps I’ve got it: also groups of individuals may lose it, epochs, nations, families.
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Jan 21, 2025 |
sensesofcinema.com | Nasheed Qamar Faruqi
To attend the London Film Festival (LFF) in October 2024 is to witness the expression of a world out of joint and to be urgently in search of new and liberatory stories that also engage with cinema in compelling ways. The genocide in Palestine; imperialist war in Ukraine and the fragile state of U.S. democracy featured in the program, reflecting the ways in which our world is out of joint.
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Jan 21, 2025 |
sensesofcinema.com | Olivia Popp
As a self-proclaimed “longtime genre film fan”, it felt fortuitous to end up at Spain’s 57th Sitges Film Festival (or in its extended form, the Sitges International Fantastic Film Festival of Catalonia, running 3–13 October) as my very first genre cinema event.
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Jan 21, 2025 |
sensesofcinema.com | Tiia Kelly
There are certain reverent labels attached to great artists that have historically, in use and by association, foregrounded the work of men: the genius, the auteur, and – as argued in Dr Janice Loreck’s latest book – the provocateur. In Loreck’s formulation, the cinematic provocateur (or less generously, the “rabble-rouser”) is one whose work invites the spectatorial experience of provocation, an “author-recipient relation” characterised by unwanted negative emotions or affects (p. 5).
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