BFI
We highlight the tales of the past, explore the narratives of the present, and create the stories of the future in the realms of film, television, and visual media.
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Global
#27805
United Kingdom
#1637
Arts and Entertainment/TV Movies and Streaming
#43
Articles
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4 days ago |
bfi.org.uk | Matthew Taylor |Miriam Bale |Rachel Pronger |Sam Davies
“What is a cult film?” asked Alex Cox, the iconoclastic director of Repo Man (1984), Sid and Nancy (1986) and Walker (1987), in the first of his many introductions for one of British television’s most unique and enduring cinema strands. Emerging on BBC2 in 1988 to shake up the typically staid Sunday night schedules, Moviedrome was a beguiling forum for strange, striking and singular films from across different eras.
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4 days ago |
bfi.org.uk | Henry Miller |Chris Shields |Mark Kermode |Adam Nayman
Forget about the Queen, James Bond, and the NHS: the centrepiece of Danny Boyle’s opening ceremony for the 2012 Olympics was the industrial revolution. 28 Years Later is a zombie film, just about, but it is far more so a vision of Britain in a future Dark Age that resembles the distant past, not only pre-industrial but practically pre-English, a lawless land of warring tribes.
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1 week ago |
bfi.org.uk | Chloe Walker |Stephen Dalton |David Parkinson |Philip Concannon
Audie Murphy had a rough childhood, to put it mildly. He was one of 12 children of poor Texan sharecroppers, but his father left the family when Murphy was in his early teens, and his mother died soon after. Murphy had to hunt small game so his siblings would have enough food to eat. Thanks in part to his deprived upbringing, he cut such a slight figure that he was initially rejected by several branches of the military when he tried to join.
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1 week ago |
bfi.org.uk | Philip Concannon |David Parkinson |Josephine Botting |George Bass
What I love about watching Jaws now is that for all the technology that exists, which didn’t exist 50 years ago, there’s nothing new that’s been invented that makes moving that pneumatic shark on a sled any easier. It’s still as hard today as it was then. It’s all ‘in camera’, and to this day nobody has been able to really duplicate what was accomplished, even in the sequels.
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1 week ago |
bfi.org.uk | Chris Shields |Mark Kermode |Adam Nayman
Red Path confronts viewers with the kind of shocking political violence many would rather ignore. Based on a true story, Tunisian theatre and film director Lotfi Achour’s relentlessly grim drama follows a young Tunisian shepherd named Nizar who is beheaded by the mujahideen when he and his younger cousin Achraf (Ali Helali) go in search of a water source on occupied land.
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