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Global
#30065
United Kingdom
#1719
Arts and Entertainment/TV Movies and Streaming
#50
Articles
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3 days ago |
bfi.org.uk | Alex Davidson |Giovanni Marchini Camia |Jane Giles
In this playful performance film, Icelandic singer Emilíana Torrini performs a set of songs inspired by a collection of real-life 1960s love letters discovered after the recipient’s death in 2018. 11 May 2025In an era when romantic missives have shrunk to the late-night ‘U up?’ text, it’s easy to see how a suitcase of elaborate love letters from the 1960s and 70s fired the imagination of singer Emilíana Torrini.
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5 days ago |
bfi.org.uk | Alex Davidson |Giovanni Marchini Camia |Jane Giles |Adam Nayman
Director Andrew Ahn’s endearing and significantly queerer update of Ang Lee’s rom com hit lets its LGBTQ+ characters behave badly, and is all the better for it.
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5 days ago |
bfi.org.uk | Giovanni Marchini Camia |Alex Davidson |Jane Giles |Adam Nayman
The French director’s mid-length homage to his own filmmaking presents a funny and provocative collage of cinema history, politics, and artistic introspection. 8 May 2025The title of Leos Carax’s It’s Not Me is, of course, tongue-in-cheek.
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6 days ago |
bfi.org.uk | Jane Giles |Adam Nayman |Kim Newman |Catherine Wheatley
Like Visconti’s erotically charged directorial debut Ossessione (1943), Motel Destino can in part be seen as a loose version of James M. Cain’s novel The Postman Always Rings Twice (1934). Director Karim Aïnouz sets the action in the province where he was born, Ceará on the north-eastern coast of Brazil; together with cinematographer Hélène Louvart (Pina, 2011; Rocks, 2019; La chimera, 2023) he portrays an equatorial landscape fundamental to the film’s story.
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1 week ago |
bfi.org.uk | Adam Nayman |Kim Newman |Catherine Wheatley |Imogen Smith
Celebrity resentments and insecurities are portrayed with unusual tenderness in this clever Hollywood Hills satire featuring Elizabeth Reaser, Walton Goggins, and Pedro Pascal. 6 May 2025Nadia Conners’ The Uninvited is a Hollywood Hills psychodrama; its caustic, quippy vision of flawed showbiz professionals stumbling through a dark night of the soul sits at the intersection of The Player (1992) and Sunset Blvd. (1950).
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