Film Comment Magazine

Film Comment Magazine

For more than 50 years, FILM COMMENT has provided thorough reviews and insightful critiques of mainstream, independent, and experimental films from across the globe.

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Articles

  • 1 week ago | filmcomment.com | Beatrice Loayza

    This article appeared in the May 28, 2025 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here.

  • 1 week ago | filmcomment.com | Devika Girish

    This article appeared in the May 23, 2025 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. It Was Just an Accident (Jafar Panahi, 2025)The most momentous occasion at this year’s Cannes was neither Tom Cruise’s red-carpet arrival nor Denzel Washington’s surprise honorary Palme d’Or—it was the return of Jafar Panahi to the Croisette after 22 years.

  • 2 weeks ago | filmcomment.com | Beatrice Loayza

    This article appeared in the May 21, 2025 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here.

  • 2 weeks ago | filmcomment.com | Jonathan Romney

    This article appeared in the May 16, 2025 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. Enzo (Robin Campillo, 2025)Cannes has traditionally opened with various eminences publicly hymning the glories of cinema, occasionally sounding a note of social responsibility—but without distressing the gowns-and-glamour red-carpet crowd.

  • 3 weeks ago | filmcomment.com | Vikram Murthi

    This article appeared in the May 9, 2025 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. Pavements (Alex Ross Perry, 2024)An early title card in Pavements, the new biopic-doc hybrid from director Alex Ross Perry, describes the indie-rock group Pavement as “The World’s Most Important & Influential Band”—the first cheeky joke in a film filled with them.

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