The Magazine ANTIQUES
The magazine ANTIQUES is a bi-monthly publication dedicated to the arts, with a special emphasis on architecture, interior design, and both fine and decorative arts. Each issue features ongoing columns that provide updates on current exhibitions and happenings in the art world, insights into collecting, and reviews of the latest books.
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Articles
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4 days ago |
themagazineantiques.com | David Ebony
Works by artist Nancy Elizabeth Prophet are rare and seldom exhibited because fewer than two dozen are known to exist. Nearly all of them are included in Nancy Elizabeth Prophet: I Will Not Bend an Inch, the first-ever museum survey devoted to this elusive American artist, whose important contributions to twentieth-century art, especially in the field of sculpture, have only lately been fully recognized.
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2 weeks ago |
themagazineantiques.com | Sharon Kong-Perring
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1 month ago |
themagazineantiques.com | James Gardner
When Vincent van Gogh set out to make the four portraits of the Roulin family that are the centerpiece of the present show at the Museum of Fine Arts, Boston (as well as numerous other depictions of the family that are not included), he was already an expert landscapist, but was relatively untried in the art of portraiture.
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2 months ago |
themagazineantiques.com | Thomas Connors
For the unbeliever, the skeptic, the misanthrope, few movements could elicit greater disdain than the spiritualism that arose in the late 1840s and swept through American society into the 1920s. Its impulse—to penetrate the afterlife and communicate with the departed—is far from extinct, but the fervor of those early adherents and the spectacles its practitioners produced, often the work of illusionists and prestidigitators, are hard to fathom in this more skeptical age.
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2 months ago |
themagazineantiques.com | Katy Condon
That’s the idea behind a new exhibition at Kansas City’s Nelson-Atkins Museum of Art: John Smart: Virtuoso in Miniature, on view to January 4, 2026. Taken as a whole, the show offers compelling commentary on global trade and colonization in turn-of-the-nineteenth-century England and India. But close study of any of the palm-sized portraits on display gives a lesson in contemporary fashion (including but not limited to wig care), social climbing aspirations, and artistic trends.
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