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Aditi Hrisheekesh

Featured in: Favicon epigram.org.uk

Articles

  • Nov 11, 2024 | epigram.org.uk | Aditi Hrisheekesh

    By Aditi Hrisheekesh, Co-Deputy Music EditorBringing a lyrical juggernaut of the gritty heart of the 2000s to 2024 Bristol, the Libertines return, armed with a new album, All Quiet On The Eastern Esplanade – a fluorescently stained love letter to what has been and what has yet to come. The crowd was a gloriously mixed bag – indie heads rocking vintage fashions, Doc Martens, mixed with others harking back to their youth.

  • Sep 10, 2024 | epigram.org.uk | Will Buckley |Megan Foulk |Aditi Hrisheekesh

    By Will Buckley, Second Year Politics and International RelationsIf your Freshers Week goes anything like mine, you’ll move to Bristol from a small town and instantly be overwhelmed by the city’s intense music culture. Your flatmate will claim his mate’s mate has a Boiler Room set coming up (he doesn’t). You’ll meet people who claim they’ve seen secret pop-up Massive Attack shows (they haven’t). Simply put, you’ll realise that you need to become a music snob, and quickly.

  • Sep 10, 2024 | epigram.org.uk | Megan Foulk |Aditi Hrisheekesh

    By Megan Foulk, Co-Deputy Music EditorFollowing their sell-out success in 2022 and 2023, the university's award winning A Cappella ensemble 'The Bristol Suspensions' visited Edinburgh Fringe Festival for a seventh year, celebrating 10 years since the group's conception.

  • Sep 9, 2024 | epigram.org.uk | Aditi Hrisheekesh

    Sometimes, you may not miss the past itself, but the feeling or the idea of missing it can be addictive. Things that once seemed insurmountable suddenly become manageable when softened by memory – it can be a cathartic comfort of sorts. That is what the night, at least for me, felt like.

  • Aug 14, 2024 | epigram.org.uk | Benji Chapman |Aditi Hrisheekesh

    By Benji Chapman, Music EditorFilling the harbourside with a spread of musical delights, the main stage of Bristol Sounds festival could be heard even from Wapping Wharf over its several days of occupancy. With the tortoise-shell like stage turned away elusively from peering onlookers and commuters, it was impossible to see what resided behind the dome, though the cheers that surrounded it each day suggested that only good times lay ahead.

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