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Feb 3, 2025 | 
magazine.texasarchitects.org | Anastasia Calhoun |Stephen Fox |Urs Peter Flueckiger |Mide O. Akinsade
Feb 03, 2025 In the fall of 1998, I got to know John Poston White as a senior colleague, mentor, and friend, and… Feb 03, 2025 The Black Home as Public Art exhibition and symposium, hosted by the University of Texas at Austin School of Architecture… Feb 03, 2025 On Thursday, September 5, 2024, 45 architects toured the mid-20th-century modern architectural highlights of Harlingen as part of the 2024… Feb 03, 2025 There may be no place on Earth better suited to address the questions of modern...
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Sep 4, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
Exciting new changes are afoot. Next year will mark Texas Architect’s 75th year of production. To celebrate this significant milestone, we will be launching a new magazine design, one that continues to document the outstanding architectural work and creative thought being done in our state. This new iteration of Texas Architect has been a long time in the making.
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Sep 4, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun |Derwin Broughton |Alyssa Morris |Abigail Thomas
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Jul 9, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
In early June, I made my way to Washington, DC, for the AIA Conference on Architecture & Design. Though I’ve had the privilege to travel and work internationally, this was my first trip to our nation’s capital, a journey marked by a deep sense of intellectual and cultural exchange.
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Jul 9, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
On May 2, IKEA US unveiled a prototype of a permanent supportive housing unit (Small Home) at IKEA Live Oak. The home was designed by San Antonio-based firm WestEast Design Group’s Social Impact Studio with ARUP, using the principles of trauma-informed design, an empathy-based approach to creating spaces that consider the needs of individuals who have experienced trauma and that that support healing and promote overall well-being.
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May 2, 2024 | 
magazine.texasarchitects.org | Alisha Burkman |Rachel Cooper |Anastasia Calhoun
Packed with people, panels, and protests, this year’s iteration of Austin’s signature spring festival, SXSW, continued to spotlight society’s most pressing issues, including the future of design through the lenses of accessibility, community building, and sustainability. The event took place March 8–16, with more than 300,000 people from across the globe gathering to learn from and engage with industry leaders in tech, film, music, design, and culture.
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May 2, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
In this issue, we examine the idea of craft—of making—within the context of new technologies and how they collide with more traditional analog approaches to shaping and understanding our world. In his book The Shock of the Old, science and technology historian David Edgerton presents a new framework for understanding technological history, one based on use rather than innovation.
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May 2, 2024 | 
magazine.texasarchitects.org | Alisha Burkman |Rachel Cooper |Anastasia Calhoun
Alisha Burkman, AIA, Rachel Cooper, and Anastasia Calhoun, Assoc. AIA, NOMA
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Mar 4, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
The wind whistled you in behind the springtime Float, Old Note, new among my mind You hold the note, the note just moves to move mine Let go the note and so move everything … And there I met another note long buried And sat upon its shoulders was a memory A home but see, above me’s gone so noisy I almost think I do not recognize me Feathered friend, dig up and resurrect me I long to live among the song of birdies A lawless league of lonesome, lonesome beauty Skies and skies and skies above...
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Jan 5, 2024 | 
magazine.texasarchitects.org | Anastasia Calhoun
The concept of “third places” was one our TxA Publications Committee latched onto early and enthusiastically in our planning for this new year. Though introduced by sociologist Ray Oldenburg in his 1989 book “The Great Good Place,” the term was new for some committee members, and a concept that clearly resonated at an essential level. It describes the public spaces we inhabit together as a community, distinct from our first places (home) and second places (work).
