
Anna Souter
Freelance Writer at Freelance
writer//researcher//curator || art//plants//ecology || she//her
Articles
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2 weeks ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — “The body as a battleground — that applies to everyone,” writes Galli. This statement, quoted in the exhibition text for the solo exhibition So, So, So at Goldsmiths Centre for Contemporary Art, is indicative of the artist’s approach to painting — and to life.
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2 weeks ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. ST IVES, ENGLAND — For Ithell Colquhoun, the world was alive. Energies, mythical forces, and solar alignments imbued landscapes with powers that wove together human beings, ecologies, and the cosmos, and those energies ran close to the surface in West Cornwall.
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1 month ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — Spotlit in the dark historic vaults of Somerset House, Jo Pearl’s “Oddkin” (2024), a theater of delicate alien creatures that visualizes the microorganisms in healthy earth, is dramatically interwoven with its own shadows.
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1 month ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. BATH, England — Cotton, a material imbued with a long and brutal racialized history, forms part of the enmeshment of Western European wealth, architecture, and art with Black histories and cultures.
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2 months ago |
resurgence.org | Anna Souter
There is something both familiar and unfamiliar about the temporary building erected within the exhibition Wild at Manchester Museum. It is a re-imagining of a mia-mia, a form of round hut used by some Indigenous Australian peoples, including Noongar people within what is now south-western Australia. The Noongar people build their mia-mia with vegetation from the bush, and the team at Manchester Museum have similarly used local plant-based materials, chosen in collaboration with Noongar partners.
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RT @aqueraltf: Inspiring Sunday reading: @wtlfmag #7 ‘The Grammar of Being’ by @AnnaSouter , Thomas Broadhead and @WillHearle @Alicemccabe3…

RT @aservais1: The British Museum Takes the Feminism Out of Feminine Power. The realities of women’s lives are conspicuously absent from th…

RT @synesproject: Read @AnnaSouter’s essay about @TonyPlant1962 who creates site specific, large-scale, temporary interventions in landsca…