
Anna Souter
Freelance Writer at Freelance
writer//researcher//curator || art//plants//ecology || she//her
Articles
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1 month ago |
hyperallergic.com | Anna Souter
LONDON — For half a century, artist Linder has taken a scalpel to the pop culture images that define Euro-American culture. Working primarily with photomontage, her surgical dissections and monstrous re-assemblages offer insight into the insidious intersections of gender, desire, and commercialism at the heart of patriarchal capitalism’s imagery.
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1 month ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — “The body as a battleground — that applies to everyone,” writes Galli. This statement, quoted in the exhibition text for the solo exhibition So, So, So at Goldsmiths Centre for Contemporary Art, is indicative of the artist’s approach to painting — and to life.
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2 months ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. ST IVES, ENGLAND — For Ithell Colquhoun, the world was alive. Energies, mythical forces, and solar alignments imbued landscapes with powers that wove together human beings, ecologies, and the cosmos, and those energies ran close to the surface in West Cornwall.
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2 months ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — Spotlit in the dark historic vaults of Somerset House, Jo Pearl’s “Oddkin” (2024), a theater of delicate alien creatures that visualizes the microorganisms in healthy earth, is dramatically interwoven with its own shadows.
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2 months ago |
hyperallergic.com | Anna Souter
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. BATH, England — Cotton, a material imbued with a long and brutal racialized history, forms part of the enmeshment of Western European wealth, architecture, and art with Black histories and cultures.
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RT @aqueraltf: Inspiring Sunday reading: @wtlfmag #7 ‘The Grammar of Being’ by @AnnaSouter , Thomas Broadhead and @WillHearle @Alicemccabe3…

RT @aservais1: The British Museum Takes the Feminism Out of Feminine Power. The realities of women’s lives are conspicuously absent from th…

RT @synesproject: Read @AnnaSouter’s essay about @TonyPlant1962 who creates site specific, large-scale, temporary interventions in landsca…