Articles

  • 2 weeks ago | itsfreezinginla.com | Bobby Jewell |Nina Carter |Anna Souter |Holly O'Neil

    ArtReview: Venice Architecture Biennale 2025By Bobby JewellThe 19th year of the Venice Architecture Biennale opened this May, with thousands from the international architecture community descending on the city for the opening of 66 national pavilions, dozens of collateral events, and hundreds of participants in the central exhibition in Venice’s Arsenale.

  • 2 months ago | hyperallergic.com | Anna Souter

    LONDON — For half a century, artist Linder has taken a scalpel to the pop culture images that define Euro-American culture. Working primarily with photomontage, her surgical dissections and monstrous re-assemblages offer insight into the insidious intersections of gender, desire, and commercialism at the heart of patriarchal capitalism’s imagery.

  • 2 months ago | hyperallergic.com | Anna Souter

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — “The body as a battleground — that applies to everyone,” writes Galli. This statement, quoted in the exhibition text for the solo exhibition So, So, So at Goldsmiths Centre for Contemporary Art, is indicative of the artist’s approach to painting — and to life.

  • 2 months ago | hyperallergic.com | Anna Souter

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. ST IVES, ENGLAND — For Ithell Colquhoun, the world was alive. Energies, mythical forces, and solar alignments imbued landscapes with powers that wove together human beings, ecologies, and the cosmos, and those energies ran close to the surface in West Cornwall.

  • Mar 16, 2025 | hyperallergic.com | Anna Souter

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. LONDON — Spotlit in the dark historic vaults of Somerset House, Jo Pearl’s “Oddkin” (2024), a theater of delicate alien creatures that visualizes the microorganisms in healthy earth, is dramatically interwoven with its own shadows.

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Anna Souter
Anna Souter @AnnaSouter
12 Jun 23

RT @aqueraltf: Inspiring Sunday reading: @wtlfmag #7 ‘The Grammar of Being’ by @AnnaSouter , Thomas Broadhead and @WillHearle @Alicemccabe3…

Anna Souter
Anna Souter @AnnaSouter
5 Sep 22

RT @aservais1: The British Museum Takes the Feminism Out of Feminine Power. The realities of women’s lives are conspicuously absent from th…

Anna Souter
Anna Souter @AnnaSouter
22 Jun 22

RT @synesproject: Read @AnnaSouter’s essay about @TonyPlant1962 who creates site specific, large-scale, temporary interventions in landsca…