Cara Chanteau

Columnist at The Independent

Featured in: Favicon

independent.co.uk

Articles

Risurrezione, Wexford Festival Opera, Ireland, review: Anne Sophie Duprels sings a blinder throughout

Oct 25, 2017 | independent.co.uk | Cara Chanteau
Medea, Wexford Festival Opera, Ireland, review: Conductor Stephen Barlow has dusted off Cherubini’s score

Oct 23, 2017 | independent.co.uk | Cara Chanteau
King Arthur, Barbican, London, review: Thought-provoking relevance is sketchy

Oct 4, 2017 | independent.co.uk | Cara Chanteau
Die Zauberflöte, Royal Opera House, London, review: It still packs its punch

Sep 17, 2017 | independent.co.uk | Cara Chanteau
The Vanishing Bridegroom, Peacock Theatre, London, review: An ideal showcase for graduating young singers

Sep 10, 2017 | independent.co.uk | Cara Chanteau
The Art of Love: Alma Mahler's Life and Music/Kokoschka's Doll, Cheltenham Music Festival, review: capturing the fascinating Alma Mahler in music

Jul 9, 2017 | independent.co.uk | Cara Chanteau
Albert Herring, Grange Festival, Hampshire, review: 'The opera’s innocent pleasures get an expansive airing'

Jul 2, 2017 | independent.co.uk | Cara Chanteau
Otello, Royal Opera House, London, review: The hottest ticket this year

Jun 21, 2017 | independent.co.uk | Cara Chanteau
Hamlet, Glyndebourne, Lewes, review: Barbara Hannigan everyone’s go-to mad soprano was suitably deranged in Ophelia’s near naked scene

Jun 12, 2017 | independent.co.uk | Cara Chanteau
Semele, Garsington, review: The whole thing becomes rather heavy going

Jun 4, 2017 | independent.co.uk | Cara Chanteau

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