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  • Jan 27, 2025 | artforum.com | Carter Ratcliff |Bryan Barcena |Barry Schwabsky |Anne Carson

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • Oct 11, 2024 | wsj.com | Carter Ratcliff

    Entering the Munson Museum in Utica, N.Y., you find yourself in an immense atrium. Opposite the entrance hangs a painting that not only “holds the wall,” to use a bit of studio jargon; its swirling, surging streaks of white pigment command the atrium’s entire, cavernous space. This is Jackson Pollock’s “Number 2, 1949” (1949), one of the dripped, poured and spattered canvases that changed the course of art history. Copyright ©2024 Dow Jones & Company, Inc. All Rights Reserved.

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