
Articles
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1 month ago |
artforum.com | Bryan Barcena
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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Mar 24, 2025 |
artforum.com | Bryan Barcena
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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Feb 1, 2025 |
artforum.com | Hans-Ulrich Obrist |Oskar Oprey |Bryan Barcena |Barry Schwabsky
Roy Ascott reflects on his careerTHE PIONEERING British media artist ROY ASCOTT, who turned ninety last fall, has been at the forefront of creative experimentation with interactivity since the late 1950s. Equally influential is his work as an educator, beginning with the radical “Groundcourse” he developed at the Ealing School of Art in 1961.
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Feb 1, 2025 |
artforum.com | Richard A. Meyer |Oskar Oprey |Bryan Barcena |Barry Schwabsky
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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Feb 1, 2025 |
artforum.com | Jeremy Lybarger |Oskar Oprey |Bryan Barcena |Barry Schwabsky
TO UNDERSTAND the kind of artist Barbara DeGenevieve was, you need only look at some of the prompts she gave her students at the School of the Art Institute of Chicago (SAIC), where for twenty years, starting in the mid-1990s, she was the photography department’s resident troublemaker:Make a piece in which you explore/inhabit/become a stereotype. Make a piece that addresses your own racism. Make a piece that is guaranteed to offend or piss people off.
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