
Christian Lewis
Theater Critic at Freelance
PhD @CUNY_GC, professor @Vassar, victorian lit + disability // theater critic //✍🏻 @LAReviewofBooks @Theatermania @Theatrely @Variety @AmericanTheatre @Queerty
Articles
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1 week ago |
variety.com | Christian Lewis
The first word spoken in “John Proctor Is the Villain”is “sex,” a portent of things to come. Mr. Smith (Gabriel Ebert), a high school English teacher, has been tasked with handling sex-ed for his junior honors students; this module mostly consists of the students reading aloud definitions of words including “sex” and of course “abstinence.” They are not receiving much sexual education here, and Mr. Smith is certainly not a good man for the job.
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2 weeks ago |
variety.com | Christian Lewis
On the surface, “Smash”is a new backstage musical about the making of the fictional Broadway musical “Bombshell: The Marilyn Monroe Story,” but for diehard fans of the cult-classic TV show “Smash,” this is the culmination of a years-in-the-making journey, finally arriving on Broadway.
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4 weeks ago |
variety.com | Christian Lewis
Oscar Wilde’s infamous antihero Dorian Gray probably would’ve loved to have a barrage of cameras pointed at him, reflecting his gorgeous visage. This is exactly what Kip Williams’ tech-heavy new Broadway production does, with Sarah Snook (“Succession”) starring in all the roles and surrounded by a team of camera operators. However, despite some fancy camera work and close-ups, this production only goes skin-deep.
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Jan 23, 2025 |
variety.com | Christian Lewis
Unlike casual language learners — say, in a high school French class, or on Duolingo — for the characters in Sanaz Toossi’s Pulitzer-winning “English,” language acquisition feels imperative. Set in Karaj, Iran in 2008, the play centers on a group of four adults taking a class to pass the Test of English as a Foreign Language (TOEFL) exam.
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Nov 12, 2024 |
variety.com | Christian Lewis
Are we human, or are we… robots? “Maybe Happy Ending,” a Korean musical now making its Broadway debut, asks this exact question — or in some ways, asks the inverse. It examines what it means to be human, what makes us human, and what it is that separates us from robots — but instead of doing this from a human angle, it takes the robot perspective.
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