Dalia Al-Dujaili

1 week ago | 1854.photography | Dalia Al-Dujaili

Saleem Dawood Azar, Gaza, 1985. Courtesy of the Palestinian Museum Making use of the Palestine Museum’s large digitised collection, Rachel Dedman curates photographic context to visual heritage not “limited to colonial collections”When Rachel Dedman first began researching tatreez, the rich tradition of Palestinian embroidery, it wasn’t with the intention of unearthing a photographic archive.

1 week ago | 1854.photography | Dalia Al-Dujaili

The new show at Nxt Museum in Amsterdam tackles the current age of machine learning and the role of artificial intelligence in image-makingIn Still Processing, Nxt Museum’s latest exhibition, which opened 7 February and is on view through 5 October, artists Rosa Menkman and Sam Balfus aka Balfua delve deep into the shifting terrain of human-machine perception.

3 weeks ago | 1854.photography | Dalia Al-Dujaili

All images © Gabriel Moses, courtesy of 180 Studios 180 Studios hosts Selah, the largest exhibition of the inimitable photographer and filmmaker to date“I didn’t study this stuff in school, all I have is my memories and my culture and my environment,” Gabriel Moses tells me as we stand in front of one of his images, framed large-scale on a dark wall in the low-lit setting of 180 Studios.

3 weeks ago | 1854.photography | Dalia Al-Dujaili

Bound by Two Homes blends Iranian cultural iconography with quintessentially British spaces to dissect identity For Bea Dero, a British-born Iranian artist – as for most diaspora – identity presents itself as a method by which one practices their identity as they go. The artist’s debut solo show Bound by Two Homes materialised through a deeply personal journey of self-acceptance, an effort to reconcile two halves of an identity that the world so often forced apart.

1 month ago | 1854.photography | Dalia Al-Dujaili

Pam Isherwood, Stop Clause 28 march, Whitehall, London, 9 January 1988 © Bishopsgate Institute Photography has long been a tool of resistance (which is why our latest issue is focused on the subject). From the smuggled images of uprisings to the carefully framed moments of defiance, the camera has long been an accomplice to activism.