Dan Stahl

2 weeks ago | newyorker.com | Helen Shaw |Inkoo Kang |Jillian Steinhauer |Dan Stahl

If a dance isn’t performed for a long time, it starts to disappear. People’s memories of it fade, and videos can be confusing—choreographers’ notes, even more so. In short, reconstructing old dances isn’t easy. On the other hand, that process of rebuilding is inherently interesting.

1 month ago | newyorker.com | Hilton Als |Dan Stahl |Jane Bua |Vince Aletti

I met Alva Rogers years ago, through a mutual friend, and her various incarnations—actress, singer, artistic director, writer, puppeteer—have always been remarkable to me. As a young woman, Rogers posed for the artist Lorna Simpson, and is the subject of Simpson’s photograph-based piece “Waterbearer” (1986), along with other early works, and, of course, she was the nominal star of Julie Dash’s film “Daughters of the Dust” (1991), a fascinating evocation of Gullah culture in South Carolina.